Georgian Cinema: Highlights from the BAMPFA Collection
Georgian Cinema: Highlights from the BAMPFA Collection
October 29–November 27, 2022
Among the treasured special collections within our film archive are the rare and distinctive holdings of Georgian cinema produced during the Soviet era and since the country’s independence from the Soviet Union in 1991. This series features works by leading Georgian auteurs.
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Films - Past
Films - Past
Events
Past Films
Pastorale
Otar Iosseliani
USSR, 1975BAMPFA Collection
Saturday, October 29 4:30 PMView DetailsIn this exquisite film by Georgian director Iosseliani, a string quartet’s visit to a small village is treated with the gentle satire usually associated with the Czech New Wave. “Iosseliani is [Georgia’s] greatest director” (Tom Luddy).
Iliko, Ilarion, Grandmother, and Me
Tengiz Abuladze
USSR, 1963BAMPFA Collection
Saturday, November 5 5 PMView DetailsAbuladze’s humanist depiction of a small community and his central character’s coming of age—moving through the seasons, through war and then peace—is reminiscent of Satyajit Ray and Federico Fellini’s cinema.
Will There Be a Theatre Up There?!
Nana Janelidze
Georgia, 2011BAMPFA Collection
Saturday, November 12 5 PMView DetailsPart historical essay, part re-created biography, Will There Be a Theatre Up There?! uses the tragic circumstances of the twentieth century as a backdrop for the chronicle of a Georgian family. With Salomé Alexi’s Felicità, a deadpan, hilarious short on the work of women.
Molba, a.k.a. Vedreba
Tengiz Abuladze
USSR, 1967BAMPFA Collection
Sunday, November 13 5 PMView DetailsPoetry and song combine in this “magisterially shot” black-and-white work, based on two epic poems by Georgian writer Vaza Psavela (National Film Theatre of London).
The Way Home
Aleksandr Rekhviashvili
USSR, 1981/87BAMPFA Collection
Saturday, November 19 5 PMView DetailsInspired by Pier Paolo Pasolini and set in a nineteenth-century southern Georgia still dominated by the Ottoman Empire, The Way Home reimagines the historical figure of Anthim the Iberian (1650–1716)—a revered scholar, theologian, calligrapher, and philosopher—as a quiet young man who tries to return home after escaping his captors. An allusive road movie featuring striking landscape cinematography.
Pirosmani
Giorgi Shengelaia
USSR, 1969BAMPFA Collection
BAMPFA Student Committee PickSaturday, November 26 4:30 PMView DetailsThis poetic, visually stunning biography of the great Georgian primitive artist Nikoloz (Niko) Pirosmanishvili won the Grand Prize at the Chicago Film Festival. “A splendid and innovative work of poetic biography” (New Yorker). With Sergei Paradjanov’s Arabesque on a Pirosmani Theme.
Susa
Rusudan Pirveli
Georgia, 2010BAMPFA Collection
Sunday, November 27 3 PMView DetailsA quiet young boy weaves his way through the underbelly of contemporary Georgia in this evocative update of the neorealist tradition, which “beautifully captures the way a crumbling locale permeates the characters’ lives” (Variety).







