This investigation of the editorial process behind Parks's photo-essay "Harlem Gang Leader" reveals unspoken conflicts between photographer, editor, subject, and truth.
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Gordon Parks: Untitled, Harlem, New York, 1948; gelatin silver print; 13 1/4 x 10 3/8 in.; courtesy of and copyright The Gordon Parks Foundation.
1948
Gelatin silver print
8 1/2 x 11 in.
Courtesy of and copyright The Gordon Parks Foundation
1948
Gelatin silver print with applied pigment
4 1/2 x 4 1/2 in.
Courtesy of and copyright The Gordon Parks Foundation
1948
Gelatin silver print
13 1/4 x 10 3/8 in.
Courtesy of and copyright The Gordon Parks Foundation
1948
Gelatin silver print
4 1/2 x 4 1/2 in.
Courtesy of and copyright The Gordon Parks Foundation
1948
Gelatin silver print
4 1/2 x 4 1/2 in.
Courtesy of and copyright The Gordon Parks Foundation
1948
Gelatin silver print
4 1/2 x 4 1/2 in.
Courtesy of and copyright The Gordon Parks Foundation
1948
Gelatin silver print
19 1/2 x 15 3/4 in.
Courtesy of and copyright The Gordon Parks Foundation
1948
Gelatin silver print
10 5/8 x 13 in.
Courtesy of and copyright The Gordon Parks Foundation
1948
Gelatin silver print
13 1/2 x 10 1/2 in.
Courtesy of and copyright The Gordon Parks Foundation
2007
Gelatin silver print
16 x 20 in.
Courtesy of The Gordon Parks Foundation
This panel offers an appreciation of the influential photographer Gordon Parks and a critical examination of the processes that shaped his first Life magazine photo-essay. With Makeda Best, Tina Sacks, and Ken Light; moderated by Leigh Raiford.
The curator of Gordon Parks: The Making of an Argument offers critical insights into Parks’s first photo-essay for Life magazine.
