A near-complete restrospective of the French director's austere yet compassionate work.
Read full descriptionA young priest tries to lead an exemplary life, but his parishioners respond with scorn and indifference. “A film of great purity, and at the end, almost Bach-like intensity” (Pauline Kael).
Digital Restoration
A young man unknowingly passes counterfeit cash and sets off an escalating spiral of crimes in Bresson’s last film, a tough, terse investigation of the power of money adapted from a Tolstoy novella.
Imported 35mm Print
Bresson’s visual elegance and uncompromising narrative style are already in evidence in his first feature film, which follows a sophisticated young woman into the closed world of a convent.
Imported 35mm Print
In his austere, transcendent dramatization of transcripts from Joan of Arc’s trial, Bresson conveys the mystery of the woman and the reality of the saint.
A Parisian thief’s anguish and redemption are played out in Bresson’s famous reworking of Crime and Punishment. “An unmitigated masterpiece” (Paul Schrader).
Imported 35mm Print
Bresson updates an eighteenth-century Diderot novel to contemporary Paris with this story of a beautiful woman who takes revenge on her ex-lover. “A landmark in cinema history” (David Thomson).
From the true account of a Resistance leader who escaped from a Nazi prison just before he was to be executed, Bresson created a film where the drama is all internal. “Essential viewing” (Jonathan Rosenbaum).
Bresson found the perfect protagonist for this film in a donkey, “born, like all beings, to suffer and die needlessly and mysteriously. . . . A morbidly beautiful flower of cinematic art” (Andrew Sarris).
Bresson found the perfect protagonist for this film in a donkey, “born, like all beings, to suffer and die needlessly and mysteriously. . . . A morbidly beautiful flower of cinematic art” (Andrew Sarris).
Bresson’s portrayal of the life and death of a despised country girl is gritty yet lyrical and ultimately sublime. “In Mouchette, the world itself is a mystical stage” (J. Hoberman).
Digital Restoration
Dominique Sanda stars in Bresson’s first color film, the simple, mysteriously resonant story of a young woman’s marriage and her suicide. Adapted from a Dostoyevsky short story.
Imported 35mm Print
Bresson gives us Lancelot and Guinevere and the end of the Arthurian era, a brave experiment in sound, image, and souls. “Stunningly beautiful, mesmerizing, exhausting, uplifting, amazing.” (Time Out)
A Parisian thief’s anguish and redemption are played out in Bresson’s famous reworking of Crime and Punishment. “An unmitigated masterpiece” (Paul Schrader).
In this portrait of a young Parisian whose personal crisis mirrors the ecological, political, and social disasters of his time, Bresson’s morally probing compassion meets the cynicism of the 1970s.
Digital Restoration
A young man unknowingly passes counterfeit cash and sets off an escalating spiral of crimes in Bresson’s last film, a tough, terse investigation of the power of money adapted from a Tolstoy novella.