G. W. Pabst: Selected Films, 1925–38
December 7, 2024–February 28, 2025
A selection of the films G. W. Pabst is best known for, made during the Weimar Republic, plus two French productions from the 1930s. Featuring several restored films plus live piano accompaniment by Judith Rosenberg for all of the silent films.
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G. W. Pabst: Pandora’s Box, 1929
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G. W. Pabst: Diary of a Lost Girl, 1929
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G. W. Pabst: The Threepenny Opera, 1931
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G. W. Pabst: Secrets of a Soul, 1926
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G. W. Pabst: L'Atlantide, 1932
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G. W. Pabst: The Joyless Street, 1925
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Films - Past
Films - Past
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Upcoming Films
Secrets of a Soul
G. W. Pabst
Germany, 1926Saturday, December 7 6:30 PMJudith Rosenberg on PianoView DetailsA fascinating early attempt to illustrate psychoanalysis on film. Written under the supervision of three students of Sigmund Freud, Secrets of a Soul is filled with strikingly beautiful images.
The Love of Jeanne Ney
G. W. Pabst
Germany, 1927Thursday, December 12 7:00 PMJudith Rosenberg on PianoView DetailsOne of G. W. Pabst’s rarely seen triumphs of lyrical realism—“among the culminating works of silent cinema, a grand attempt to synthesize Soviet montage, Hollywood action-melodrama, and German mise-en-scène” (J. Hoberman, Village Voice).
The Joyless Street
G. W. Pabst
Germany, 1925Friday, December 20 7:00 PMJudith Rosenberg on PianoView DetailsThe Joyless Street “is not only one of the most important films of the Weimar Republic, it is also one of the most spectacular censorship cases of the era” (Jan-Christopher Horak).
The Devious Path
G. W. Pabst
Germany, 1928Sunday, December 22 4:30 PMJudith Rosenberg on PianoView DetailsNotable for its complex portrait of a marriage and fluid camerawork, and as an index of G. W. Pabst’s ongoing interest in female psychology, this cool, understated film may be his most modern.
Pandora’s Box
G. W. Pabst
Germany, 1929Sunday, January 19 1:30 PMJudith Rosenberg on PianoView DetailsDaring and stylish, Pandora's Box is one of silent cinema’s great masterworks and a testament to Louise Brooks’s dazzling individuality as the showgirl Lulu.
Diary of a Lost Girl
G. W. Pabst
Germany, 1929Friday, January 24 7:00 PMJudith Rosenberg on PianoView DetailsLike much of G. W. Pabst’s best work, Diary of a Lost Girl was heavily cut by the censors. In the restored version, not only is the play of money and desire made explicit, but a comic spirit entirely missing from the censored versions emerges.
Westfront 1918
G. W. Pabst
Germany, 1930Sunday, February 9 7:00 PMView DetailsG. W. Pabst illustrates the harrowing ordeals of battle with unprecedented naturalism, as the soldiers are worn away in body and spirit by firefights, shelling, and the disillusion that greets them on the home front.
The Threepenny Opera
G. W. Pabst
Germany, 1931Thursday, February 13 7:00 PMView DetailsA classic adaptation of the Weimar-era theatrical sensation set in the impoverished back alleys of Victorian London with Kurt Weill’s irresistible score, The Threepenny Opera remains a benchmark of early sound cinema.
Kameradschaft
G. W. Pabst
Germany, 1931Friday, February 21 4:30 PMView DetailsA gripping disaster film and a stirring plea for international cooperation, Kameradschaft cemented G. W. Pabst’s status as one of the most morally engaged and formally dexterous filmmakers of his time.
L’Atlantide
G. W. Pabst
Germany, France, 1932Sunday, February 23 4:00 PMView DetailsDominated by the statuesque presence of Brigitte Helm this “campy, exotic fantasy takes place in a décor of dazzling white buildings, studio sand, and artificial pools” (Bloomsbury Foreign Film Guide).
The Shanghai Drama
G. W. Pabst
France, 1938Friday, February 28 4:30 PMView DetailsG. W. Pabst left Germany only to be censored by the French, his film recut. But as Nora Sayre advised in the New York Times, “Ignore the muddles and savor the cast of characters.”
Past Films
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