“One of the greatest action directors working in the world . . . (Johnnie) To has built a dazzling brilliant career out of cinematic mayhem.”-Manohla Dargis, New York Times
If there's one name that has kept Hong Kong cinema alive from its post-handover hangover to today, it's Johnnie To. From motormouthed comedies to romantic melodramas, gangster shoot-em-ups to bizarre fantasies, To has made nearly fifty films in his illustrious career, often at a rate of three or four a year. If this were the sixties, Cahiers du cinéma would have put his name up there with Hawks, Mann, or Walsh; he's living proof that the best genre films are now made in Hong Kong.
This small sampling of To's work concentrates on his post-1997 films, created after forming his own production company, Milkyway Image, which gave him the freedom and economic security to mix commercial works with more out-there experiments. Hollywood noirs reimagined in nocturnal, neon-lit, mega-capitalist Hong Kong, gritty gangster films like The Mission and Election boast a self-assured command of machismo and male bonding, a wry sense of humor, and a steady, deadpan cast that could out-macho Robert Mitchum. Also featured are a few of To's over-the-top cinema fantasies like Fulltime Killer and Running on Karma (codirected by Wai Ka-fai), works that unchain genre filmmaking from the tethers of reality and showcase a talent willing not just to tweak the rules, but to break them entirely.