With a lush figure, bright, platter-sized eyes that missed nothing, and a mouth equally ready to dish a wisecrack, pull a sneer, or plant a kiss, Joan Blondell was a staple of Hollywood's studio heyday. This series spotlights a perennial supporting player who was also “one of the most reliably good actresses Hollywood has ever seen” (Matthew Kennedy).
Read full descriptionGena Rowlands is an actress in crisis in John Cassavetes's updated, improvisational take on the backstage drama, with Blondell as a bemused playwright.
Blondell plays delightfully drunken aunt to tormented Eleanor Parker in a precursor to The Three Faces of Eve.
This compelling noir tracks the rise and fall of carnival sleazeball Tyrone Power. “No self-respecting film buff can afford to miss it.”-Time Out N.Y.
Blondell as a self-made sleuth in “a zany, agreeable, and well-written comedy-satire of murder mysteries in the Thin Man mold.”-Matthew Kennedy
Blondell copes with drunken conventioneers and an unruly corpse in this charmingly eccentric comedy. “Altogether delightful.”-Matthew Kennedy
Elia Kazan's debut feature evokes youthful dreams and family hardships in 1910 Brooklyn. Blondell is “little short of wonderful.”-N.Y. Daily News
This swift, sordid melodrama features Blondell, Ann Dvorak, and Bette Davis as former classmates drawn into an underworld of drugs and crime.
“A monarch-in-exile falls for showgirl from Brooklyn Blondell when he ogles her in a cancan ensemble. It's understandable: she never looked better.”-Village Voice
Introduced by Matthew Kennedy. Blondell and Cagney in a Busby Berkeley backstage saga, “fast-paced, knowing, and arguably the best of the Warner Bros. Depression musicals.”-Matthew Kennedy
Introduced by Matthew Kennedy. Sparks fly between Blondell and James Cagney in a brisk, twisting comedy of cons.
Barbara Stanwyck and Blondell expose Hippocratic hypocrisy-and plenty of skin-in this medical melodrama, also featuring Clark Gable.