The playful insistence and explosive subversion of Japanese experimental film traditions remain neglected terrain for North American audiences. In an effort to globalize what has often been a primarily Western understanding of postwar experimentalism, JPEX: Japanese Experimental Film and Video, 1955–Now, touring North America this autumn, documents the radical medium of postwar Japanese experimental film, video, and animation at its fiftieth anniversary. PFA is screening two programs from the JPEX series.
Prior to each screening, the JPEX curators will discuss the films from a historical and formal perspective. Full program information will be available at the screenings. Also visit www.humanities.uci.edu/jpex.
Curated/Notes by Jonathan M. Hall and Michelle Puetz
Jonathan M. Hall is assistant professor of comparative literature at UCIrvine, where he researches and teaches critical theories of East Asia, Japanese film and modern literature, and queer theory.
Michelle Puetz is a Ph.D. candidate in the Committee on Cinema and Media Studies at the University of Chicago.