In postwar Italy, particularly in the south, modernization struck with rude and sudden force, dislodging the conditions that had sustained traditional culture for centuries. Raised amid aristocratic Sicilian society, Vittorio De Seta, as an aspiring filmmaker, found himself profoundly detached from what he called his "gilded, stupid childhood" and instead turned his attention to the regional livelihoods that were everywhere threatened. By 1954, he had made his first short film, The Swordfish Season, capturing the dignity of everyday labor, steeped in time-honored craft, communal bonds, and a devotion to the locale itself. A succession of short films followed that became a catalog of this vanishing world of people “who seek the way to redemption through the labor of their hands,” as Martin Scorsese, a champion of De Seta's work, described them. Anything but touristic, De Seta's films are stunning for their unvarnished appreciation of regional culture, their elegant cinematography, and a willingness to promote the voices and views of those the filmmaker venerates. In 1961, De Seta redirected this same interest in customary culture toward the feature form, producing the award-winning Bandits of Orgosolo, a stark but beautiful neorealist tale about a Sardinian sheepherder forced into banditry by cruel circumstance. It is with great pleasure that PFA screens Vittorio De Seta's films in a long-overdue revival of this forgotten master from Sicily.
Steve Seid
Video Curator