“Work is man's chance to express himself . . . What I am against is the relationship man has today with the world in which he works.”-Ermanno Olmi
Work-its rhythms, movements, pleasures, and pains-is at the heart of the cinema of Italian director Ermanno Olmi. Best known for sly critiques of workplace drudgery like Il posto, and for later combinations of epic majesty and neorealist minutiae like the Palme d'Or–winning Tree of Wooden Clogs, Olmi (b. 1931) began his career as a clerk in a power company that soon promoted him to making short documentaries. His 1959 feature debut, Time Stood Still, continued in the tradition of Italian neorealists like Vittorio de Sica yet also took an original, sweetly comic approach to the human condition, and specifically the condition of labor. Whether being slowly bored (Il posto) or worked (Tree of Wooden Clogs) to death, Olmi's characters are far removed from the dogmatic sufferings doled out by less subtle directors; with its focus on the physical facts of working-class life, his cinema is one of concern and awe, not condemnation. “For Olmi,” writes critic Kent Jones, “everybody is a hero.”
In later years Olmi's deep love of the nature of work metamorphosed into a similar love for the work of nature; such films as Cammina Cammina, Secret of the Old Woods, and the new Slow Food documentary Terra Madre take their deepest pleasure in revealing humanity's relationship with the natural world, filmed with a simple purity that's rare in contemporary cinema. Please join us in exploring the cinema of this underrated, understated director, including the Bay Area premiere of Terra Madre.