Thinking outside the box, with an eye to winning back viewers seduced away by television, 20th Century Fox introduced CinemaScope in 1953. Extending the movie screen to twice its previous width-proportions impossible for the TV set-CinemaScope was soon followed by other widescreen formats, including VistaVision, Superscope, Cinemiracle, and Panavision, most of which used anamorphic lenses to compress the visual information during filming and then re-expand it during projection. While Fritz Lang famously quipped that CinemaScope was only good for depicting funerals and snakes, he and other filmmakers stretched their visual vocabulary to orchestrate dancing girls, epic heroes, and desert vastness in sprawling horizontal proportions. Our expansive summer-long series includes Westerns, melodramas, thrillers, musicals, and science fiction, and ranges from nascent explorations to classic bigger-than-life productions. International widescreen masters Jean-Luc Godard, Miklós Jancsó, Akira Kurosawa, Vincente Minnelli, and Nicholas Ray are represented, as well as a host of other innovators including Robert Fleischer, Phil Karlson, and Yasuzo Masumura. Now as then, television can't contain these films-they have to be seen on the big screen.
Outside the Box: More Widescreen Films
Widening the scope of this series, we present widescreen films in several other PFA programs this summer. In our United Artists series: The Apartment, July 12; The Great Escape, July 13; Manhattan, July 17; The Magnificent Seven, July 27; The Thomas Crown Affair, August 14; The Long Goodbye, August 19; West Side Story, August 28; The Good, the Bad and the Ugly, August 30; Viva Las Vegas, August 31. In our David Goodis series: Shoot the Piano Player, August 2 and 5; Moon in the Gutter, August 23.