In recent years, BAM/PFA has presented the epic television works of Rainer Werner Fassbinder, Berlin Alexanderplatz and World on a Wire, twice, and in so doing we realized that there is a young generation of viewers who has not had the opportunity to see Fassbinder's films on the big screen. With this major fall season retrospective, organized in conjunction with the Roxie Theater and Yerba Buena Center for the Arts in San Francisco, we offer Bay Area filmgoers a chance to get to know-or reacquaint themselves with-the remarkable richness of Fassbinder's career as a film director. With the rapid pace that 35mm prints are vanishing from the exhibition landscape, this could well be the last opportunity to see this many Fassbinder films in their original format.
Fassbinder (1945–1982) seemingly overnight went from enfant terrible to the driving force behind the New German Cinema, and one of the most influential artists of the postwar European scene, with a prodigious output as director, actor, author, and playwright. With a stock team of collaborators from the antiteater troupe, Fassbinder created a mirror for postwar German society in the individual souls of his characters. His oeuvre is one of daring expression and a deeply felt humanity. His ability to express human cruelty, loneliness, and self-delusion is astonishing and, ultimately, redemptive.
The confluence of this series with our concurrent Pasolini retrospective offers a wonderful opportunity to observe the parallels between these two major postwar European filmmakers.