“How would Lubitsch have done it?”-Sign on the wall in Billy Wilder's office
Like so many of the great Hollywood directors, Ernst Lubitsch (1892–1947) was a German émigré. The son of a tailor, he was a member of Max Reinhardt's theater company from 1911 to 1918 before going into movies, where he made the transition from acting to directing a mix of social comedies and extravagant historical spectaculars. Mary Pickford imported him to the United States in 1922; here his style evolved from slapstick to sophistication in a series of “continental” comedies and musicals that created an elegant alternate Europe for American delectation. (“There is Paramount Paris and Metro Paris, and of course the real Paris,” he said. “Paramount's is the most Parisian of all.”) An exasperated Pickford described Lubitsch as a “director of doors,” and he was a master at suggesting what goes on behind closed ones, deploying architectural space in the service of erotic innuendo. But he was also a director of actors, of knowing glances, sly timing, and subtly revealing gestures. For all his love of artifice, Lubitsch was in the end a humanist. Many of his most enduring films, from Trouble in Paradise to The Shop Around the Corner, are studies of lovers fooling themselves and each other; in the Lubitschean marriage of romance and cynicism, insincerity could be remarkably touching. This series of archival rarities and fine studio prints is a chance to understand the ineffable visual wit known as “the Lubitsch touch”-to see, and feel, how Lubitsch did it.
Juliet Clark
Editor
Pianists for Silent Films
Bruce Loeb began accompanying films at PFA in 1986; over the years he has played for many silent films using a combination of period music and improvisation. He also plays for the Niles Essanay Silent Film Museum and teaches piano privately.
Judith F. Rosenberg has provided piano accompaniment for silent films at PFA since 2000. Since 1973 she has been artist/lecturer and music director of the dance department at Mills College. Rosenberg has also performed at the Niles Essanay Silent Film Museum and the Castro Theatre.
Donald Sosin has been performing silent film music for over thirty years. Among his many commissions for scores and film festival appearances, he performs each year at the Pordenone Silent Film Festival. He last played at PFA during the 2005 series Taisho Chic on Screen.