The newest generation of Chinese filmmakers has come of age in a world drastically different from that of their predecessors, and they address China's present-day problems and failures, from unemployment to concerns of loneliness and family.
Read full descriptionThis deadpan “melodrama with a social conscience” (Tony Rayns), a prizewinner at Cannes, portrays a Chinese-Korean woman, her brief loves, her little son, and her prostitute neighbors.
One woman's personal dilemmas form the basis of this razor-sharp, frequently hilarious dissection of China's rising misfortunes, especially as suffered by its “other half,” women.
The misty city of Chongqing provides the atmospheric setting for this family drama.
The 1970 ballet version: “This showpiece of the Cultural Revolution now functions as a virtual documentary of an ideological moment.”-Time Out
The founding figure of independent Chinese documentary, Wu Wenguang, returns with this look at the burgeoning Chinese film industry. The title says it all.
A listless young tailor “borrows” a police uniform and finds his life looking up. A canny blend of urban realism and Gogolian satire.
A couple buys a paralyzed girl to beg for them in this bracing critique of contemporary China.
Two parents, one daughter, one cramped apartment, one video camera, and 23 takes. “The most innovative Chinese film since Xiao Wu.”-London Film Festival. Repeated on November 8.