Aging bounty hunter Henry Fonda teaches sheriff Tony Perkins the tricks of the trade; Mann elicits fine performances from both.
"Taken (or so the studio claims) from actual police files. Location shooting in the relentlessly realistic tradition of T-Men and Canon City is highlighted by the final shoot-out in the L. A. drainage tunnel system....A gritty masterpiece!"-Errol Morris
Mann crafts a study of family and crazy ambition from Erskine Caldwell's sensational novel, with Robert Ryan searching the farm for his grandpappy's gold. "A rustic revel with the kick of a Georgia mule."-Variety, 1958
Gary Cooper struggles against a violent past returning to claim him. "A superb Western, exemplifying Mann's capacity for integrating his interest in spectacle with a resonant narrative fully deserving the adjective 'classic.'"-Time Out
Charlton Heston as the warrior-hero of 11th-century Spain. "One of the greatest epic films ever made. Mann's sense of composition, his use of space, and his graceful camera movements bring to life an ancient tapestry where the transformation of an ordinary man into a legend becomes almost a mystical experience."-Martin Scorsese
Starring James Stewart, "a taut vengeance tale that fills the CinemaScope screen with unexpected violence as harsh as the New Mexico landscape."-Scott Simmon
A Korean War platoon, led by Robert Ryan, is stranded in a beautiful but hostile landscape. "With the possible exception of Sam Fuller, no other American director has so vividly caught the atmosphere of battle."-NFT, London
Erich von Stroheim stars in an entertaining, early Mann noir of death and double dealing among vaudevillians.
This peculiar little picture may have invented a new genre: the mad-scientist noir romantic melodrama.
Bounty hunter James Stewart wages psychological warfare against Robert Ryan in "one of the very best Anthony Mann Westerns-which means one of the very best Westerns, period."-Chicago Reader. Also starring Janet Leigh and the Colorado Rockies.
On a train to Washington in 1861, a detective eerily named Jack Kennedy tries to foil a plot to assassinate Lincoln. "You could cut the mood here with a knife."-Chicago Reader
The first of Mann's Westerns with James Stewart, this "sprawling, picaresque tale of a feud between two brothers...broke new ground in soiling Stewart's white hat and launching him on a path of neuroticism and blood-guilt retribution."-Village Voice
Introduced by Scott Simmon. Mann's last film with John Alton is a cynical critique of the mistreatment of Native Americans. "Anyone who wants to know what a real Western is...has to have seen Devil's Doorway."-André Bazin
Mann and cinematographer John Alton work the border between Western and noir in this incredibly tense, if scenic, tale of immigration agents and human smuggling.
Alton's cinematography evokes a nocturnal Paris in this brooding, McCarthy-era melodrama of the French Revolution, also known as Reign of Terror.
Strong-willed Barbara Stanwyck's love-hate relationship with cattle-baron father Walter Huston takes on the proportions of Greek tragedy in "one of the darkest Westerns ever made."-S.F. Chronicle
In this downbeat drama with Farley Granger and Cathy O'Donnell, "Manhattan's a maze for hapless rats...as Mann shoots it-in almost Rossellinian overhead angles and with...scrupulous, crystal-clear regard for landscape."-Village Voice
A newlywed Everycouple flees the Mob and the law in the first and least known of Mann's celebrated film noir cycle.
Undercover Treasury agents inhabit a twilit moral universe in this documentary-style noir shot by the great John Alton.
In another stylish, shadowy Mann/Alton collaboration from the '40s, "the violence, both physical and emotional, is still shocking."-Chicago Reader