Marcel Pagnol, who was born the same year as the cinema, “invented for the French public ze talking picture” (Jean-Pierre Gorin). Though a playwright, Pagnol created a unique style that transcended “filmed theater.” Never was talk so cinematic as in his portraits of Provence, which, despite a precise dramatic structure, are shot (and shot through) with a brilliant naturalism. Pagnol's was a cinema not about but of Provence, its rough, dry textures, its flavors, its pace, its accent, its humor and gravity and pride. Pagnol's actors were trained in his robust caf'conc' style in which tragedy is never so tragic as to preclude a kind of low-key vaudeville. The almond eyes of Orane Demazis, the elastic visage of Fernandel, the contained explosion that is Raimu, and the countless village pundits who people Pagnol's cinema keep these films always in the present tense.
If Pagnol's characters remain forever young, some of the prints we present show their age. But as Pagnol's films may soon be going out of distribution, we hope you will take advantage of this opportunity to see them with us now.
Judy Bloch