The artist's world in the last two months of his life is drawn with period feeling harking back to the Impressionists. "An extraordinary portrait of the artist as common man."-Sight & Sound
"With the great natural of French cinema, Gérard Depardieu, as an absent, philandering father, Le Garçu is an acute and provocative portrait of an oversized ego punctured by the avid spontaneity of a small child."-New Zealand Int'l Film Festival
A bourgeoise leaves her husband for a working-class layabout in this absorbing study of desire. "Loulou is as fresh and unsettling today as it was in 1980. [Depardieu and Huppert are] so explosively real and mercurial and spontaneous, that it's hard to think of them as acting."-Film Comment
Depardieu displays his range as an actor in this film about a parish priest for whom life is an endless struggle with Satan. Sandrine Bonnaire costars. "A chamber work of the harshest beauty, accumulating power as it moves from one spiritual duel to the next."-Film Society of Lincoln Center. Winner, Cannes Palme d'or.
"The best film of the year revolves around a teenage girl (Sandrine Bonnaire) and her disruptive erotic power over her own family. Pialat must have put his actors through hell, but they came back with things you've never seen in a movie before."-Village Voice, 1985
Depardieu stars in this policier about a burnt-out cop, a Tunisian drug ring, and an elusive lover. "Pialat offers a documentary investigation of a shadowy universe, a classically structured police intrigue, and an allegory."-Film Comment.
A bourgeoise leaves her husband for a working-class layabout in this absorbing study of desire. "Loulou is as fresh and unsettling today as it was in 1980. [Depardieu and Huppert are] so explosively real and mercurial and spontaneous, that it's hard to think of them as acting."-Film Comment. Repeated September 25.
Special admission, $10/$6. A six-hour film in seven episodes, shown with dinner break. One of Pialat's most beloved films, commissioned for French TV, The House in the Woods tells of life in a French village during WWI, centering on a gamekeeper and his wife who take in children left abandoned in the war.
The '70s saw a spate of French films about teens discovering their sexuality, but Pialat's slice-of-life portrait of kids in a northern mining town has the brutally compassionate sense of reality for which he is acclaimed.
A series of documentary shorts offers a revealing look at French life from Pialat's singular perspective. Of particular interest is one on Van Gogh. In French only.
In the story of a man (Philippe Léotard) watching his mother die of cancer, Pialat "simply demonstrates how people in their discontent and emotional vulnerability struggle to draw comfort from one another."-Film Comment. "An incandescent masterpiece if ever there was one."-Sight & Sound
Depardieu stars in this policier about a burnt-out cop, a Tunisian drug ring, and an elusive lover. "Pialat offers a documentary investigation of a shadowy universe, a classically structured police intrigue, and an allegory."-Film Comment. Repeated September 23.
Introduced by Jean-Pierre Gorin. "The best film of the year revolves around a teenage girl (Sandrine Bonnaire) and her disruptive erotic power over her own family. Pialat must have put his actors through hell, but they came back with things you've never seen in a movie before."-Village Voice, 1985. Repeated September 24.
Pialat's daringly autobiographical story of a couple unable to break up is also a feminist film, concerning a woman extricating herself from a partner who delights in degrading her. Jean Yanne, Marlène Jobert star.
A compendium of poetic and visually striking short films shot in Turkey, and set to literary texts. In French only.
This tender but unflinching study of an orphaned boy whose erratic, aggressive behavior leads him to be passed from one set of foster parents to another is "a film in which nuance is everything...the performances are stunning."-Time Out. With short L'Amour existe.