Mikio Naruse: The Auteur as Salaryman

July 3–December 21, 2025

Mikio Naruse: The Auteur as Salaryman offers a rare opportunity to see many of Naruse’s great films chronicling the lives of ordinary people—from his 1935 international hit Wife! Be Like a Rose! (the first Japanese talkie to screen in the United States) to his magnificent movies of the 1960s.

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  • Mikio Naruse: Floating Clouds (1955)

  • Mikio Naruse: When a Woman Ascends the Stairs (1960)

  • Mikio Naruse: A Wife’s Heart (1956)

  • Mikio Naruse: Lightning (1952)

  • Upcoming
    Films
  • Past
    Films
  • Past
    Events

Upcoming Films

  • When a Woman Ascends the Stairs

    Mikio Naruse
    Japan, 1960

    BAMPFA Collection

    Thursday, July 3 7 PM

    Essential Mikio Naruse. “An elegant essay in black-and-white CinemaScope and tinkling cocktail jazz, this tale of a bar hostess’s attempt to escape her lot could give heartbreak lessons to [Rainer Werner] Fassbinder and [Douglas] Sirk” (Village Voice).

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  • Hideko the Bus Conductor

    Mikio Naruse
    Japan, 1941
    Thursday, July 10 7 PM

    Hideko Takamine stars as the teenage ticket taker for a bus line that has seen better days in this charming comedy, the first of her seventeen films with Mikio Naruse. Screening with The Whole Family Works, a chronicle of a family’s struggle to make ends meet during the depression and the war with China, the social costs of which are never mentioned but keenly felt.

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  • Lightning

    Mikio Naruse
    Japan, 1952
    Saturday, July 12 4:30 PM

    Adapted from a Fumiko Hayashi novel, and starring Mikio Naruse’s favorite actress, Hideko Takamine, this major work illuminates one of the director’s key themes: entrapment within the family system.

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  • Floating Clouds

    Mikio Naruse
    Japan, 1955
    Wednesday, July 16 7 PM

    This epic story of wartime lovers separated by a wretched peace is a richly evocative portrait of postwar Tokyo and an endlessly fascinating character study. It is revered in Japan as the ultimate masterpiece of Mikio Naruse’s career and a high point for star Hideko Takamine.

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  • Flowing

    Mikio Naruse
    Japan, 1956
    Saturday, July 19 7 PM

    It’s hard to find a more impressive trio of actresses than Hideko Takamine, Kinuyo Tanaka, and Isuzu Yamada. Mikio Naruse’s tale of geishas in decline is “a tangle of subtle relationships. . . . Quietly brilliant filmmaking” (Village Voice).

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  • A Wife’s Heart

    Mikio Naruse
    Japan, 1956
    Friday, July 25 7 PM

    Hideko Takamine plays a young woman working to raise enough money to open her own coffee shop. When her family takes the money to fund her sister’s wedding, she arranges a loan, but her husband is wary of the loan officer (Toshiro Mifune).

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  • Untamed

    Mikio Naruse
    Japan, 1957
    Thursday, July 31 7 PM

    Oshima (Hideko Takamine) experiences a series of failed relationships as she works toward financial independence and self-realization. “Hideko Takamine’s performance . . . is among her most active and energetic and her character is one of the most liberated in [Mikio] Naruse’s oeuvre.” 

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  • Daughters, Wives, and a Mother

    Mikio Naruse
    Japan, 1960
    Friday, August 8 7 PM

    Daughters, Wives, and a Mother features a stellar cast in a saga of a comfortable suburban family’s unraveling after the family home is mortgaged.

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  • A Wanderer’s Notebook

    Mikio Naruse
    Japan, 1962
    Sunday, August 10 4 PM

    A revealing biopic, based on the journals of Fumiko Hayashi, the writer Mikio Naruse most frequently adapted, and starring his favorite actress, Hideko Takamine, who gives an “amazingly detailed, unglamorized portrait of the writer . . . imbued with a strong passion for life and writing” (National Film Theatre, London).

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  • Yearning

    Mikio Naruse
    Japan, 1964
    Friday, August 15 7 PM

    A war widow keeps the family store and her heart in check long after she should have remarried. “Whatever else it is—a critique of the economics of the family, among other things—Yearning is also a poem on the beauty of Hideko Takamine” (Boston Phoenix).

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  • Wife! Be Like a Rose!

    Mikio Naruse
    Japan, 1935
    Sunday, August 17 5 PM

    Mikio Naruse’s warm, funny-sad tale of a girl who tries to unite her poetess mother and estranged father “is presented with a simplicity and a seriousness. . . . The result is one of the most moving films I know” (The Nation).

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  • Three Sisters with Maiden Hearts

    Mikio Naruse
    Japan, 1935
    Saturday, August 23 4:30 PM

    Tokyo’s lively Asakusa district comes alive in Mikio Naruse’s wonderful portrait of three modern girls who try to break away into love and marriage. Based on a Yasunari Kawabata novel.

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  • Repast

    Mikio Naruse
    Japan, 1951
    Friday, September 5 7 PM

    Mikio Naruse’s first adaptation of a Fumiko Hayashi novel eloquently portrays a crumbling marriage. Setsuko Hara stars.

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  • Late Chrysanthemums

    Mikio Naruse
    Japan, 1954
    Sunday, September 7 4:30 PM

    A compelling character study of four aging geishas contemplating their troubles with men and money. “A gem. . . . With delicate, unobtrusive strokes, [Mikio] Naruse evokes both the humor and bitterness in his characters’ dilemmas” (San Francisco Chronicle).

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  • Flowing

    Mikio Naruse
    Japan, 1956
    Friday, September 12 7 PM

    It’s hard to find a more impressive trio of actresses than Hideko Takamine, Kinuyo Tanaka, and Isuzu Yamada. Mikio Naruse’s tale of geishas in decline is “a tangle of subtle relationships. . . . Quietly brilliant filmmaking” (Village Voice).

    View Details
  • Floating Clouds

    Mikio Naruse
    Japan, 1955
    Sunday, September 14 4:30 PM

    This epic story of wartime lovers separated by a wretched peace is a richly evocative portrait of postwar Tokyo and an endlessly fascinating character study. It is revered in Japan as the ultimate masterpiece of Mikio Naruse’s career and a high point for star Hideko Takamine.

    View Details
  • Yearning

    Mikio Naruse
    Japan, 1964
    Sunday, September 21 4:30 PM

    A war widow keeps the family store and her heart in check long after she should have remarried. “Whatever else it is—a critique of the economics of the family, among other things—Yearning is also a poem on the beauty of Hideko Takamine” (Boston Phoenix).

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  • Scattered Clouds

    Mikio Naruse
    Japan, 1967
    Sunday, September 28 7 PM

    A young woman still grieving over her husband’s death in a car accident meets the driver of the car, and soon fate, and the past, come to call. This is Mikio Naruse’s last film and “one of his strangest and strongest” (Phillip Lopate).

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  • Tsuruhachi and Tsurujiro

    Mikio Naruse
    Japan, 1938
    Sunday, October 5 1 PM

    Mikio Naruse brings emotion and wit to the story of the relationship between a samisen player and a ballad singer during the Meiji era. “A musical treat” (National Film Theatre, London).

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  • Traveling Actors

    Mikio Naruse
    Japan, 1940
    Sunday, October 19 1:00 PM

    This atypically comic outing for Mikio Naruse follows an itinerant Kabuki troupe, focusing on a pair of actors who play the two halves of a horse—until a real animal is hired for the part.

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  • Mother

    Mikio Naruse
    Japan, 1952
    Saturday, October 25 7 PM

    Mikio Naruse takes a complex, astringent approach to sentimental material for this story of a widow (Kinuyo Tanaka) struggling to maintain the family business.

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  • Lightning

    Mikio Naruse
    Japan, 1952
    Thursday, November 6 7 PM

    Adapted from a Fumiko Hayashi novel, and starring Mikio Naruse’s favorite actress, Hideko Takamine, this major work illuminates one of the director’s key themes: entrapment within the family system.

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  • Wife

    Mikio Naruse
    Japan, 1953
    Sunday, November 9 5 PM

    Another affecting look at the everyday irritations of marriage, but with an atypical twist for Naruse—this time, the husband is the more sympathetic character.

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  • Husband and Wife

    Mikio Naruse
    Japan, 1953
    Sunday, November 16 5 PM

    This thematic sequel to Repast centers on the domestic troubles of a young couple forced to share a flat with an eccentric friend. As always, Mikio Naruse depicts lower-middle-class life with impressive frankness and psychological insight.

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  • Ginza Cosmetics

    Mikio Naruse
    Japan, 1951

    35mm Archival Print

    Thursday, November 20 7 PM

    “Not to be missed. Kinuyo Tanaka, best known for her roles in the films of [Kenji] Mizoguchi, is sensational in this portrait of a Ginza bar hostess” (Cinematheque Ontario).

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  • Sound of the Mountain

    Mikio Naruse
    Japan, 1954
    Sunday, November 23 2 PM

    Mistreated wife Setsuko Hara forges a close and complex relationship with father-in-law, So Yamamura, in Mikio Naruse’s adaptation of the famous Yasunari Kawabata novel. “Exquisite” (Boston Phoenix).

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  • Sudden Rain

    Mikio Naruse
    Japan, 1956
    Sunday, November 30 2 PM

    The everyday life of a marriage: “A masterpiece in miniature. . . . [Mikio] Naruse’s complex touches are brilliant” (IFC News).

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  • When a Woman Ascends the Stairs

    Mikio Naruse
    Japan, 1960

    BAMPFA Collection

    Friday, December 5 7 PM

    Essential Mikio Naruse. “An elegant essay in black-and-white CinemaScope and tinkling cocktail jazz, this tale of a bar hostess’s attempt to escape her lot could give heartbreak lessons to [Rainer Werner] Fassbinder and [Douglas] Sirk” (Village Voice).

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  • The Approach of Autumn

    Mikio Naruse
    Japan, 1960
    Sunday, December 7 2 PM

    A young widow and her shy sixth grader relocate to Tokyo. “A rare and masterful focus on children for [Mikio] Naruse” (Film Forum).

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  • The Stranger within a Woman

    Mikio Naruse
    Japan, 1966

    35mm Archival Print

    Friday, December 12 7 PM

    The unnatural death of the wife of a friend weighs on a man’s conscience in Mikio Naruse’s compelling foray into film noir. Driven by women’s desires and motives, the ​w​ork departs from the director’s “women’s films” in style but not substance.

     

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  • Hit and Run

    Mikio Naruse
    Japan, 1966

    35mm Archival Print

    Sunday, December 14 2 PM

    A chronicle of a fatal collision reveals the stark inequalities of Japan’s economic growth in the 1960s, as a working-class single mother (Hideko Takamine) obsessively plots revenge against the wealthy woman responsible for her son’s death. 

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  • Summer Clouds

    Mikio Naruse
    Japan, 1958
    Sunday, December 21 1:30 PM

    Hoping to find independence from her family, a war widow writes stories of her rural life for a Tokyo newspaper in this rare Mikio Naruse title that takes place in the countryside and in color and Cinemascope.

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Past Films