No Regrets: A Celebration of Marlon Riggs
September 19–November 25, 2019
In his lucid and provocative video essays, Marlon Riggs grappled with African American culture, representation, and identity. This retrospective presents all of his films, in dialogue with works by other filmmakers.
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Films - Past
Films - Past
Events
Past Films
Black Is . . . Black Ain’t
Marlon Riggs
United States, 1995BAMPFA Collection
Thursday, September 19 7 PMNicole Atkinson Roach, Ryanaustin Dennis, and Chika Okoye in ConversationView DetailsRiggs’s richly textured exploration of black American identity was his final work, completed by colleagues after his death. It features appearances by Angela Davis, bell hooks, Cornel West, Essex Hemphill, and Bill T. Jones, among other luminaries.
Long Train Running: A History of the Oakland Blues
Marlon Riggs, Peter Webster
United States, 1981Thursday, September 26 7 PMIntroduction by Ashley Omoma; Karen Everett in PersonView DetailsRiggs and Peter Webster’s thesis project reflects on the heyday of Oakland blues in the late 1940s and ’50s, chronicling the city’s vibrant past while revealing an uncertain present. With Karen Everett’s profile of Riggs, I Shall Not Be Removed.
Word Is Out: Stories of Some of Our Lives
Peter Adair, Nancy Adair, Veronica Selver, Andrew Brown, Robert Epstein, Lucy Massie Phenix
United States, 1977Friday, October 18 7 PMMariposa Film Group Members in PersonView DetailsPerhaps the first feature-length documentary on gay and lesbian identity, and still relevant today, this film features interviews with a diverse group of individuals, including poet Elsa Gidlow, activist Sally Gearhart, inventor John Burnside, civil rights leader Harry Hay, and filmmaker Nathaniel Dorsky.
Tongues Untied
Marlon Riggs
United States, 1989BAMPFA Student Committee PickTongues Untied is also presented in a free screening on Monday, November 25 (with Ken Light, Darieck B. Scott, and Leila Weefur in conversation).
Wednesday, October 23 7 PMIntroduction by Elena Gross; Vivian Kleiman in ConversationView DetailsRiggs’s riveting combination of interviews, performance, stock footage, autobiography, poetry, and dance reveals the revolutionary potential of black men loving black men. With Riggs’s short Anthem.
Reflections and Affirmations: Marlon Riggs and Others
Friday, October 25 4 PMBrontez Purnell in PersonView DetailsThis program puts the work of Marlon Riggs in conversation with that of other artists reflecting on, affirming, and celebrating their identities, including Julie Dash, Isaac Julien, Thomas Allen Harris, and Brontez Purnell.
Ethnic Notions
Marlon Riggs
United States, 1986Friday, November 1 4 PMIntroduction by Herman S. GrayView DetailsRiggs interrogates how material culture perpetuates racial stereotypes in this powerful and unblinking work. Followed by Color Adjustment, in which Riggs extends his examination to network television.
The Watermelon Woman
Cheryl Dunye
United States, 1996Saturday, November 2 8 PMView DetailsCheryl Dunye’s first feature, on a lesbian video-store clerk and would-be filmmaker who becomes obsessed with the career of an early “race film” star, is “funky screwball comedy in the key of queer” (B. Ruby Rich).
Vintage: Families of Value
Thomas Allen Harris
United States, 1995Friday, November 22 7 PMJesse Hawthorne Ficks and Marvin K. White in ConversationView DetailsThomas Allen Harris explores the intersections of race, family, and sexuality in this pioneering essay film, which focuses on three groups of queer black siblings, including the director and his brother.
Tongues Untied
Marlon Riggs
United States, 1989Free Admission!
This screening is presented as part of Arts + Design Mondays. Tongues Untied also screens Wednesday, October 23 (with Elena Gross and Vivian Kleiman in conversation; regular admission prices apply).
Monday, November 25 6:30 PMKen Light, Darieck B. Scott, and Leila Weefur in ConversationView DetailsRiggs’s riveting combination of interviews, performance, stock footage, autobiography, poetry, and dance reveals the revolutionary potential of black men loving black men.








