Presenting prints from the BAMPFA collection, this series highlights the work of Yuliya Solntseva, as both an actress and a director, including collaborations with her husband, the Ukranian director Oleksandr Dovzhenko.
Read full descriptionCopresented by the San Francisco Silent Film Festival
“Earth is Dovzhenko’s pictorial love song to nature, a radiant canvas for flowing wheat fields, oceans of crops, and idyllic close-ups of produce and foliage” (Jeremy Carr, Senses of Cinema).
Judith Rosenberg on Piano
Free Admission
Based on a quasi-autobiographical script by Oleksandr Dovzhenko, Yuliya Solntseva’s The Enchanted Desna was described by critic Jonathan Rosenbaum as “among the most ravishingly beautiful and poetic spectacles ever made.”
Copresented by the San Francisco Silent Film Festival
Soviets in space, as class warfare extends to Mars, in this exhilarating silent saga, a Russian Metropolis famed for its outlandish Constructivist production design. Starring Yuliya Solntseva, it is “a major early achievement in futuristic cinema” (Variety).
Introduced by Booth Wilson; Judith Rosenberg on Piano
“Poem of the Sea, which tells of the construction of an artificial sea, necessitating the flooding of a village, is remarkable for its confidence, grandeur and glowing beauty” (Ronald Bergan, Camera Lucida). With an extract from Solntseva’s film remembrance of Dovzhenko, The Golden Gates.
While Stalin commissioned this epic on the “Red Commander of the Ukraine,” Mykola Shchors, “as in all [Oleksandr Dovzhenko’s] best work, Shchors leaves in the memory burning images of death and of passionate life” (Jay Leyda). With an extract from Solntseva’s film remembrance of Dovzhenko, The Golden Gates.
“Frankly operatic in its portraiture and poetic stylization, this Soviet masterpiece began as propaganda but veers closer to pagan fantasy than any of Dovzhenko’s other sound films” (Jonathan Rosenbaum, Chicago Reader).
Copresented by the San Francisco Silent Film Festival
Yuliya Solntseva plays the eponymous tobacco vendor who unwittingly attracts the love of three men: a hapless scribe straight out of Gogol, an overstuffed American capitalist, and a wayward cinema cameraman.
Judith Rosenberg on Piano
This extraordinary montage film, weaving images taken by twenty-four frontline cameramen, plus captured Nazi footage, was praised by film scholar Jay Leyda as “an astonishingly personal movie . . . an inspiration to every artist who works in the documentary film.” With John Gianvito’s Fugue.
Adapted from a script by Oleksandr Dovzhenko, The Story of the Flaming Years sets an elegiac tone for Yuliya Solnetseva’s tribute to the Ukrainian peasants’ struggle against the Nazi invaders through extraordinary montage sequences and double and triple superimpositions.