Pat O'Neill / MATRIX 262

September 28–November 27, 2016

The work of Pat O'Neill, a pioneer of avant-garde film and optical printing techniques, including films, sculpture, photography, and works on paper.

  • Pat O’Neill: still from Runs Good, 1970; three-channel continuous video projection, transferred from 16mm film; color, silent; BAMPFA, museum purchase: Phoebe Apperson Hearst, by exchange. Image courtesy of the artist and Cherry and Martin, Los Angeles.

  • Pat O'Neill: still from An Extra Wander for Ms. Chickie, 2016; color; courtesy of the artist.

  • Pat O'Neill: Safer than Springtime, 1964; fiberglass, aluminum, steel, paint; 48 x 39 x 30 in.; courtesy of the artist and Cherry and Martin, Los Angeles. Photo: Brian Forrest.

  • Pat O’Neill: Untitled (animation cel from Saugus Series), 1973; lacquer paint on animation paper; 10 ½ x 16 in.; courtesy of the artist and Cherry and Martin, Los Angeles. Photo: Brian Forrest.

  • Pat O'Neill / MATRIX 262, installation view

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