The influence of painting, particularly of the Renaissance and Baroque periods, is readily evident in British filmmaker Peter Greenaway's distinctive films-in their lush colors and dramatic lighting, choreographed tableaux, and concern with architecture and costume. In 2006, he undertook to extend his dialogue between the language of cinema and that of painting through an ambitious project of video installations entitled Nine Classic Paintings Revisited, and to date has interpreted such works as Leonardo da Vinci's The Last Supper and Paolo Veronese's Wedding at Cana. But Greenaway first turned his attention to Rembrandt's The Night Watch (1642), and, in addition to a video installation, created two films exploring the Dutch master's most famous painting. You'll want to take note of Greenaway's speculative art history lessons. He elucidates the puzzles and mysteries embedded in the painting and its...