Tati's brilliantly composed comedies revel in the oddity of everyday twentieth-century life. Don't miss this chance to see masterworks like Playtime on the big screen.
Read full descriptionJacques Tati (France, 1953). With short Watch Your Left. See January 14. (108 mins)
Jacques Tati (France, 1974). Tati returns to his music-hall roots, performing some of his most famous routines, in this rarely screened circus film. (75 mins)
Jacques Tati (France, 1971). A comic-apocalyptic vision of mechanized modernity in which humankind indulges in a perpetual love-hate relationship with its favorite pet, the automobile. (100 mins)
Jacques Tati (France, 1967). With short Night Class. See January 15. (153 mins)
Jacques Tati (France, 1958). The wonders of an ultramodern house come in for classic Tati mockery. “Slapstick heaven.”-New Yorker. (116 mins)
Jacques Tati (France, 1949). Tati's first feature is a charming portrait of a rural village, where the bumbling local postman is inspired to American-style efficiency by a newsreel in a traveling fair. “Everyone loves Jour de fête.”-New Yorker. With short The School for Postmen. (108 mins)
Jacques Tati (France, 1967). Tati's vision of sixties Paris is “perhaps the most madly modernistic work of anti-modernism in the history of cinema.”-New Yorker. “One of the ten greatest films of all time.”-Jonathan Rosenbaum. With short Night Class. (153 mins)
Jacques Tati (France, 1953). This cinematic postcard from a seaside summer resort is “the most important comic work in world cinema since the Marx Brothers and W. C. Fields . . . an event in the history of sound film.”-André Bazin. With short Watch Your Left. (108 mins)