Starting Labor Day weekend and continuing through mid-September, we have the opportunity to look again at films of German director Rainer Werner Fassbinder (1945–1982), presented in new 35mm prints created for a touring program on the twentieth anniversary of the artist's death.
Fassbinder seemingly overnight went from enfant terrible to being the driving force behind the New German Cinema, and one of the most influential artists of the postwar European scene, with a prodigious output as director, actor, author, and playwright. With a stock team of collaborators from the antiteater troupe, Fassbinder created a mirror for postwar German society in the individual souls of his characters, from the put-upon peddler in The Merchant of Four Seasons to the drug-addicted movie star of Veronika Voss, all of them playing a sucker's game, with only a director's love to lend them dignity. Fassbinder, who escaped an unhappy childhood into cinema, was seemingly incapable of a boring shot, and yet was able to infuse tenderness into the most perverse situation. In this he surpasses even his Hollywood mentor, the German émigré Douglas Sirk, whose melodramas, Fassbinder said, “convinced (me) that love is the best, most insidious, most effective instrument of social repression.” This reprise of his work will introduce a new generation of viewers to the deeply felt humanity his films daringly explore.
Judy Bloch