Rhythms from Life: Jia Zhangke
February 6–17, 2019
We survey the work of the internationally celebrated director whose films depict China’s relentless socioeconomic transformation and the people it leaves behind.
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Films - Past
Films - Past
Events
Past Films
24 City
Jia Zhangke
China, 2008Wednesday, February 6 7 PMView DetailsA Sichuan industrial complex is razed to make way for upscale condos. “Blending fiction with documentary, [Jia] brings huge stretches of long-repressed history to life on an intimate scale” (New Yorker).
Xiao Wu
Jia Zhangke
China, Hong Kong, 1997Imported 35mm Print
Thursday, February 7 2:30 PMView DetailsA small-time, undermotivated pickpocket finds himself on the wrong end of China’s economic leap forward. Jia’s debut feature was a milestone in contemporary Chinese cinema.
Platform
Jia Zhangke
Hong Kong/China, 2000Imported 35mm Print
Thursday, February 7 7 PMView DetailsA performance troupe struggles to keep up during China’s 1980s move from communism to capitalism, and from peasant folk songs to electric breakdancing. “Might be the greatest film to come out of mainland China” (Jonathan Rosenbaum).
Unknown Pleasures
Jia Zhangke
China/Japan, 2002Imported 35mm Print
Friday, February 8 2:30 PMCANCELED: Jia Zhangke in PersonView DetailsTeenage life in a Chinese backwater forms “as true a picture of contemporary existence as we could hope for right now” (Film Comment).
Ash Is Purest White
Jia Zhangke
China/France/Japan, 2018East Bay Premiere
Sunday, February 10 6:30 PMJia Zhangke and Michael Berry in ConversationView DetailsA gangster’s wife stands on her own in Jia’s expansive narrative of empowerment and survival, inspired by Hong Kong gangster films and set against the tumultuous changes in contemporary China. “Fierce, gripping, emotionally generous, and surprisingly funny” (Los Angeles Times).
A Touch of Sin
Jia Zhangke
China, 2013Sunday, February 17 7 PMView DetailsJia takes on the collateral damage of China’s maniacal growth, explosively restaging four violent deeds to illustrate everyday citizens pushed to the edge—of the economy. Winner of the Best Screenplay prize at Cannes.






