Based on his remarkable cinematic output over the last forty years, you might surmise that Ross McElwee always has a camera in his hand. Beginning with his early 16mm films of the 1980s, Backyard and Sherman's March, up to his most recent digital film, the aptly titled Photographic Memory, McElwee has used cinema as a means of examining his own life and, along the way, exploring the history of his times. McElwee, who studied filmmaking at MIT with pioneers of cinema verité, has an engaged, subtle-and at times intrusive-filmmaking presence as he muses on the human condition, asking hard questions without expecting ready answers. Using his camera both confessionally and essayistically, he explores issues such as finding love, raising children, and making sense of the past; for McElwee, the personal is political.
We are delighted that Ross McElwee will be in person at two screenings to discuss his filmmaking career with Scott MacDonald, who has recently published American Ethnographic Film and Personal Documentary: The Cambridge Turn. The book will be available for purchase at all screenings and on Wednesday, April 2, MacDonald will sign copies, following a program of short films he selected to further explore the contribution of Cambridge, Massachusetts to documentary film history. Of related interest, Cambridge-based filmmaker Lucien Castaing-Taylor will be in person April 22 with Leviathan, which he codirected with Veréna Paravel.