We welcome the celebrated Ukrainian director of Belarusian origin Sergei Loznitsa for a ten-day residency, during which time he will speak about his work in documentary, feature filmmaking, and short form.
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Working with a crew of cinematographers positioned in different regions of Ukraine, Sergei Loznitsa created a film that recounts the actions of the people who have resisted oppression on a daily basis since the Russian invasion began.
Based entirely on archival footage (official documentation mixed with private footage shot by soldiers and civilians), Sergei Loznitsa’s film recounts the massacre of 33,771 Jews in the Babi Yar Ravine in Kyiv.
An intense work of archival documentary filmmaking inspired by W. G. Sebold’s essay on the devastation of World War II urban bombing campaigns.
Archival imagery of the news and state funeral for Joseph Stalin. “This expertly constructed rearranging of archival and propaganda footage is the rare film to merit immediate status as a canonical work” (Jay Weissberg, Variety).
A journey through the Donbass unfolds as a chain of curious adventures, in which the grotesque and dramatic are as intertwined as life and death.
Free Admission
Factory showcases Sergei Loznitsa’s approach to nonfiction, working with original camerawork and mining the archives for imagery, with the annual Mosse Lecture.
Two partisans plan to kill a Belarusian railway worker suspected of Nazi sympathies in Sergei Loznitsa’s dreamlike narrative film. “A masterpiece” (David Thomson).
“A captivating, hallucinatory plunge into Russia’s atrophied civil society, in which a woman’s search for answers is rewarded with humiliation and abuse” (Jay Weissberg, Variety).