Take a cinematic tour of Tokyo’s gritty working-class district, Shitamachi, with classic and contemporary films by Yasujiro Ozu, Akira Kurosawa, Hirokazu Kore-eda, Kinuyo Tanaka, and others, including many compelling but lesser-known works.
Read full descriptionToshiro Mifune is a driven detective in Akira Kurosawa’s bravura Tokyo noir. “A bona fide masterpiece” (Time Out).
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As two rebellious Japanese grandmas wander about Tokyo like down-market flaneurs, a portrait of a neighborhood caught between generations emerges.
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This simple, sad story of the gap between generations in a Japanese family revealed to Western viewers the poetic acuteness of Yasujiro Ozu’s style. “Wonderful . . . one of the manifest miracles of cinema” (New Yorker).
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A poor ronin samurai and his gambling neighbor become involved in a desperate plan in this little-known gem from the 1930s, set in what would become downtown Tokyo during the Edo period.
A down-on-their-luck young couple settles on the edge of Tokyo’s red-light district in this major rediscovery, a “radiant masterwork of Japanese cinematic melodramas” (Tokyo Filmex).
An unsentimental and funny treatment of a sentimental subject: an abandoned boy in postwar Tokyo taken in by a widow who claims to dislike children.
Based on a true story that scandalized Japan in the mid-1980s, Hirokazu Kore-eda’s 2004 drama follows four children left abandoned in a Tokyo apartment. “Absorbing, humane, and deeply moving,” Nobody Knows reveals the “director’s talent for extending a single moment with superbly poised artistry” (The Guardian).
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Set in Toyko just after the end of the American occupation of Japan, Kinuyo Tanaka’s impressive directorial debut provides “a much-needed female voice that offers a . . . nuanced reading of women’s lives in postwar Japan, and especially regarding sex work” (Natalie Ng, Filmed in Ether).
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In Akira Kurosawa’s humanist masterpiece, an ordinary civil servant discovers what it means to live. This Japanese Everyman was perhaps Takashi Shimura’s greatest role.
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Chieko Baisho shines as a Shitamachi factory worker in Yoji Yamada’s fascinating study of postwar Japanese social mobility and a woman’s choice in the paths she takes.
Imported 35mm Print
Set against the backdrop of Tokyo’s growing industrialization during the 1950s, Ken Uehara and Kinuyo Tanaka portray a tabi salesman and his wife, whose lives are disrupted by the arrival of an abandoned baby on their tenement doorstep.
Doctor meets tubercular gangster in the slums of postwar Japan in this noirish tale, the first film in the long collaboration between Akira Kurosawa and Toshiro Mifune.