The second installment in BAMPFA’s ongoing Swedish Cinema Project offers a lineup of classic films synonymous with the white nights of Swedish summers and the country’s rich tradition of auteur directors, including Roy Andersson, Ingmar Bergman, Gustaf Molander, Alf Sjöberg, and Bo Widerberg.
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Celebrated for its unique cinematic style (and censored upon its first release in the United States for its adult content), Alf Sjöberg’s Miss Julie was an important turning point in Scandinavian cinema for its depiction of the battle of the sexes and classes.
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In the Swedish romantic melodrama that landed her a Hollywood contract, Ingrid Bergman plays a budding pianist swept off her feet by a renowned violinist.
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A freewheeling comedy about a gang of ruffians on an all-day bender in Stockholm's Old Town, featuring an eighteen-year-old Ingrid Bergman.
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A retired actor and his family find themselves on a remote Baltic island when word arrives of nuclear war in Andrei Tarkovsky’s elegiac final film. “An epic vision. . . . Spiritual mastery. . . . A work of genius” (David Robinson, The Times).
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“Elvira Madigan is indeed remarkably beautiful, almost every frame would make a painting, and yet the film is alive and cinematic, not simply photographs of pretty pictures” (Roger Ebert).
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Inspired by the earthy eroticism of Harriet Andersson, in the first of her many roles for him, Ingmar Bergman had a major international breakthrough with this sensual and ultimately ravaging tale of young love.
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Couples meet, split, and reconverge at a country house in the summer of 1900 in Ingmar Bergman’s carnal comedy. “A tragic-comic chase and roundelay [carried] into elegance and lyric poetry” (Pauline Kael).
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Ingmar Bergman’s still-provocative portrait of a young woman sinking into insanity while both family and God fail to save her. Winner of the 1962 Academy Award for Best Foreign Language Film.
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Exploring the strange symbiosis between a speechless actress (Liv Ullmann) and her nurse companion (Bibi Andersson), this is Ingmar “Bergman at his most brilliant” (Time Out).
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A moped-riding Romeo loves a gum-chewing Juliet in late 1960s Sweden, but dreamless, refrigerator-selling parental figures stand in their way. A wry, Milos Forman–inspired look at youthful hopes and middle-aged sadness.
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A retired actor and his family find themselves on a remote Baltic island when word arrives of nuclear war in Andrei Tarkovsky’s elegiac final film. “An epic vision. . . . Spiritual mastery. . . . A work of genius” (David Robinson, The Times).