Recent releases, restored classics, and special guests grace the Barbro Osher Theater.
Read full descriptionA chilling, mysterious, and stunning debut film. “Selcen Ergun’s acute and wide-awake direction emphasizes the undertones of a rigid patriarchal society while brilliantly setting the atmosphere for this anti fairy-tale” (Toronto International Film Festival).
Digital Restoration
Victims of Sin is famed Mexican director Emilio Fernández’s unique blend of film noir, melodrama, and musical. Fernández infuses the film with impassioned songs and performances by Ninón Sevilla, an icon of Mexican cinema and a purveyor of African, Caribbean, and Cuban dance styles.
Digital Restoration
One of the major achievements of twenty-first-century cinema thus far, Béla Tarr’s mesmeric parable of societal collapse is an enigma of transcendent visual, philosophical, and mystical resonance. New German Cinema icon Hanna Schygulla appears in a welcome cinematic comeback, while Lars Rudolf contributes a fevered performance of Klaus Kinski–like proportions.
Esteemed documentarian Frederick Wiseman’s latest is a food lover’s heaven—a long, behind-the-scenes excursion into the world of France’s venerable restaurant La Maison Troisgros, which has held three Michelin stars for more than five decades.
Digital Restoration
One of the major achievements of twenty-first-century cinema thus far, Béla Tarr’s mesmeric parable of societal collapse is an enigma of transcendent visual, philosophical, and mystical resonance. New German Cinema icon Hanna Schygulla appears in a welcome cinematic comeback, while Lars Rudolf contributes a fevered performance of Klaus Kinski–like proportions.
Digital Restoration
Victims of Sin is famed Mexican director Emilio Fernández’s unique blend of film noir, melodrama, and musical. Fernández infuses the film with impassioned songs and performances by Ninón Sevilla, an icon of Mexican cinema and a purveyor of African, Caribbean, and Cuban dance styles.
Esteemed documentarian Frederick Wiseman’s latest is a food lover’s heaven—a long, behind-the-scenes excursion into the world of France’s venerable restaurant La Maison Troisgros, which has held three Michelin stars for more than five decades.
Digital Restoration
“Steeped in history, myth, religion, and politics, and suffused with the feverish intensity of the blistering desert, Black God, White Devil is one of the Cinema Novo movement’s most uncompromising statements on current social issues as well as the universal problem of mindless fanaticism” (Janus Films).
A chilling, mysterious, and stunning debut film. “Selcen Ergun’s acute and wide-awake direction emphasizes the undertones of a rigid patriarchal society while brilliantly setting the atmosphere for this anti fairy-tale” (Toronto International Film Festival).
Bay Area Premiere of the Digital Restoration
BAMPFA presents the Bay Area premiere of the recently completed restoration of Bushman, directed by Bay Area independent filmmaker David Schickele. We will be joined by special guests, including Schickele’s family, who have been instrumental to the preservation of Bushman, as well as original members of the cast and crew and the preservation team. Paired with Schickele’s earlier film Give Me a Riddle.
Copresented with The Magnes Collection of Jewish Life and Art
BAMPFA partners with The Magnes to host the East Bay Premiere of Vishniac, Laura Bialis’s new portrait of famed photographer Roman Vishniac’s life and work. Bialis joins the February 4 screening to discuss her film with Bay Area documentary filmmaker Veronica Selver (Irmi, KPFA on the Air).
Copresented with UC Berkeley’s Center for Interdisciplinary Critical Inquiry and the International Consortium of Critical Theory Programs, in conjunction with Imagining Beyond Authoritarianism: Race and Gender in Our Times
Surrealism meets satire in Oakland. Boots Riley’s black comedy chronicles a hapless telemarketer whose sudden burgeoning success in the workplace is directly proportional to his alienation from his coworkers, his girlfriend, and himself.
Digital Restoration
“Steeped in history, myth, religion, and politics, and suffused with the feverish intensity of the blistering desert, Black God, White Devil is one of the Cinema Novo movement’s most uncompromising statements on current social issues as well as the universal problem of mindless fanaticism” (Janus Films).
Copresented with The Magnes Collection of Jewish Life and Art
BAMPFA partners with The Magnes to host the East Bay Premiere of Vishniac, Laura Bialis’s new portrait of famed photographer Roman Vishniac’s life and work.
BAMPFA presents the recently completed restoration of Bushman, directed by Bay Area independent filmmaker David Schickele. Paired with Schickele’s earlier film Give Me a Riddle.