This installment in our ongoing repertory series presents classic films and cult favorites, from Ophuls to Eraserhead, in restored or newly struck prints.
Read full descriptionMarco Ferreri's rare, seminal film, shown here in a new print. Michel Piccoli stars in a provocative chamber piece that unfolds in comic, unsettling gestures. Repeated on Sunday, February 24.
David Lynch's debut feature, still creepy after all these years: “a masterpiece of texture . . . an ingenious assemblage of damp, dust, rock, wood, hair, flesh, metal, ooze. The immaculate restoration brings all this to new light.”-Village Voice
Bruce Weber's portrait of jazz legend Chet Baker, in a restored print, “remains a stunning object of scrutiny. . . . It's the music doc as film noir.”-Village Voice. Repeated on Friday, February 15.
Lecture by Stefan Drössler. In Max Ophuls's audacious final film, a life of passion becomes the stuff of carnival. “The ultimate cinephilic object: a color-and-CinemaScope dream.”-Boston Phoenix
Alain Resnais's fractured memory-piece returns in a restored print. Delphine Seyrig stars as a widow haunted by a former love, as her son is haunted by memories of military service in Algeria. Repeated on Wednesday, January 16.