An ongoing series featuring rare prints of classic and contemporary films, A Theater Near You presents a new 35mm print of Robert Bresson's Diary of a Country Priest (1950); a stunning new 35mm restoration of Alberto Cavalcanti's World War II drama Went the Day Well? (1942); and two wonderful films from Eric Rohmer, Summer (Le rayon vert, 1986) and Four Adventures of Reinette and Mirabelle (1987).
Read full descriptionEric Rohmer (France, 1986) (Le rayon vert) New 35mm Print! The astounding performance of Marie Rivière as a lonely woman searching for company-yet unwilling to compromise-grounds this airy, ephemeral summertime tale. “Rohmer's ultimate masterwork” (Andrew Sarris). Best Film, Venice Film Festival. (98 mins)
Eric Rohmer (France, 1986) (Le rayon vert) New 35mm Print! The astounding performance of Marie Rivière as a lonely woman searching for company-yet unwilling to compromise-grounds this airy, ephemeral summertime tale. “Rohmer's ultimate masterwork” (Andrew Sarris). Best Film, Venice Film Festival. (98 mins)
Eric Rohmer (France, 1987) New 35mm print! Two women, country artist and city student, in a comedy “apparently evanescent, yet remarkably weighty and memorable” (N.Y. Times). (95 mins)
Alberto Cavalcanti (U.K., 1942) New 35mm Restoration! Cavalcanti's noir/wartime propaganda satire, made at the height of WWII, involves the infiltration of an unsuspecting British village by sixty German paratroopers. “A prescient masterpiece! A conspiracy thriller, a black-comic nightmare, and a surrealist masterpiece!” (Guardian). (92 mins)
Robert Bresson (France, 1950) New 35mm Print! A young country priest tries to live a pure life of goodness, but his parishioners respond with only scorn and indifference, in Bresson's masterful work. “A film of great purity, and at the end, almost Bach-like intensity” (Pauline Kael). (114 mins)
Robert Bresson (France, 1950) New 35mm Print! A young country priest tries to live a pure life of goodness, but his parishioners respond with only scorn and indifference, in Bresson's masterful work. “A film of great purity, and at the end, almost Bach-like intensity” (Pauline Kael). (114 mins)