They Might Be Giants

1/21/04 to 2/25/04

  • Nam June Paik: Edited for Television, January 28

  • Upcoming
    Films
  • Upcoming
    Events
  • Selected
    Objects
  • Past
    Films
  • Past
    Events

Past Films

  • Ant Farm

    Wednesday, January 21 7:30 pm
    Chip Lord, Hudson Marquez in Person. Introduction by Patricia Mellencamp. Exuberant spectacle meets guerrilla media in The Cadillac Ranch Show, Media Burn, The Eternal Frame, and other videoworks by Ant Farm.
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  • When Video Came plus Works by Nam June Paik

    Wednesday, January 28 7:30 pm
    Introduction by Steve Seid. West Coast Premiere! Artists and critics are eloquent and insightful in a kinetic new documentary on the early history of video art. Plus the work of Nam June Paik, whose performance videos, altered television sets, and video sculptures set it all in motion.
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  • Gary Hill

    Wednesday, February 4 7:30 pm
    Introduction by Margaret Morse. With rare insight, beauty, and visual complexity, Gary Hill's videotapes look at language as a medium on which consciousness floats. If you have never seen his work, you are in for a wondrous experience.
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  • Bill Viola

    Wednesday, February 11 7:30
    Introduction by Anne Wagner. Bill Viola is known today for his video installations in museum galleries, but he was equally celebrated for the earlier single-channel videoworks that express his hallmark themes of perception, spirit, and time with virtuosic flair.
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  • Tony Oursler

    Wednesday, February 18 7:30 pm
    Introduction by Tony Labat. Tony Oursler's universe is a roiling theater in miniature: on kooky expressionist sets, polymorphous props lead their perverse lives. Another artist now better known for his museum installations, Oursler in his early videos was truly an enfant terrible.
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  • Steina and Woody Vasulka

    Wednesday, February 25 7:30
    Introduction by Robert Riley. Steina and Woody Vasulka's ingenious work explores the plasticity of the video medium using an array of customized tools and processes, so that a violin becomes an image-generating instrument and history attaches itself to three-dimensional objects. That's a wrap!
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