Bill Morrison's film created from decomposing early footage has garnered wide praise. "Who knew that decay itself-artfully marshaled, braided, scored and sustained-could provoke such transports of sublime reverie amid such pangs of wistful sorrow?"-Lawrence Weschler, NY Times Magazine
Judith Rosenberg on Piano. Made in 1922, Nosferatu is still the most unnerving and poetic of horror films, for the way director F. W. Murnau invests the natural world with eerie incandescence, and for Max Schreck's vampire, a living death, a walking ruin.
When is a ruin not a ruin? When it's a work of art. The forger's craft may be more real than we know in Jesse Lerner's provocative look at colonialism, appropriation, and Mexican culture. With shorts by Lerner and Peggy Ahwesh.
Ruination is the backdrop to this group of moving works. Settings include a Palestinian refugee camp, the World Trade Center site, a destroyed Colombian village. Works by Louise Bourque, Abigail Child, Juan Manuel Echavarria, Tirtza Even and Bosmat Alon, Yervant Gianikian and Angela Ricci Lucchi, Julie Murray.
Free tickets available at the PFA Theater starting at 4:30. A remarkable collection of early footage from travels around the world, deftly re-edited by Yervant Gianikian and Angela Ricci Lucchi to reveal social and metaphorical meanings.
The inhabitants of an apartment building drift through a Lithuanian winter in this meditative feature shot in noirish tones. Fragments of memories, shards of experience in what director Sarunas Bartas calls "a stocktaking of the post-Soviet reality."
The great Italian director's most lavish and visually inventive film uses the self-consuming debauchery of the Roman elite in the time of Nero to create an allegorical satire on late-20th-century society-a ruin in the making. A must-see on the big screen.
The dog-eared, the damaged, and the decayed: the filmmaker as salvage artist, or how one thing leads to another. Works by the artist team Fischli-Weiss, Janie Geiser, Chris Marker, the Quay Brothers, and Osamu Tezuka.
Andrei Tarkovsky's breathtaking journey through the ruined but magical spaces of Tuscany follows a Russian man who feels the longing for home, closure, and the absolute that the film's title describes.
In an Iranian village following the 1990 earthquake, Abbas Kiarostami created this "transcendent work of art that explores the difference between real life and its cinematic representation and celebrates the indestructibility of the human spirit."-Film Center, Chicago
The first and most famous of the postwar German "rubble films" is a stark and imaginatively visualized story of guilt and revenge, shot in a ruined Berlin just months after the war's end. Hildegard Knef stars, in her screen debut.
Peter Delpeut's exquisite montage of hand-tinted films from before 1915 makes us aware of early cinema's rich colors, and of its mortality, "as image literally reverts to matter."-Village Voice. With Phil Solomon's Exquisite Hour and a rare relic from 1914.
Roberto Rossellini directed Ingrid Bergman in this deeply moving film shot in Naples, with its "feeling of eternal life, something that has entirely disappeared from this world."-Rossellini