The work of Claire Denis begins with what she calls “tactile intuition.” Her films feel their way through charged situations and complex relationships—cultural, familial, sexual—by attending to the textures and rhythms of the physical world and to the ways that people move through it. This is a corporeal cinema: Denis once asserted, "capturing bodies on film is the only thing that interests me.”
Born in Paris in 1948, Denis spent her childhood in various African nations where her father was a French colonial functionary. Several of her most acclaimed films, from her debut feature Chocolat to Beau travail and the recent White Material, are set in Africa, and a concern with colonialism and its aftereffects runs through much of her work. But her approach to this and other subjects is less political or even psychological than emotional and experiential; exposition is pared away, leaving impressions whose full meaning emerges only with the passage of time.
Denis served a long apprenticeship before directing her own films, beginning as an assistant on Dušan Makavejev's Sweet Movie (1974) and later working as an assistant director to Jim Jarmusch and Wim Wenders. This retrospective includes her films with those two directors, as well as the fruits of her long collaborations with cinematographer Agnès Godard, writer Jean-Pol Fargeau, and actor Alex Descas (whom she has described as her “muse”). Here is a chance to experience a body of work that both exerts and rewards alert observation.
Juliet Clark