For her film, presented as an installation at documenta fifteen, Pinar Öğrenci returns to her father’s hometown, Müküs, within the mountainous region in southern Van. On Turkey’s border with Iran, this former capital of the Urartian civilization, and the Armenian Vaspurakan dynasty, today has a dense urban population of mainly Kurdish-speaking communities. The town enjoyed a multilingual education and heritage in Armenian, Kurdish, Farsi, and Arabic until 1915. The Avalanche is inspired by Stefan Zweig’s final novella, The Royal Game (Schachnovelle, 1941)—a psychological thriller in which chess becomes a survival mechanism in the face of fascism.