The cinema of Alain Tanner has always made room for society’s dropouts and dreamers, and nowhere more so than in his most celebrated work (coauthored by John Berger), which tracks a ragtag group of Swiss strangers, brought together by chance and a shared anticapitalist spirit, and the little refuge they create for themselves in the face of political and economic failures. A bracing reminder that change indeed begins at home, over dinners and conversation, Jonah “strikes a mature balance between being realistic about the world and thinking that another world is possible,” notes Vogue’s John Powers. “Seeing it today . . . its undefeated sanity is bracing.”