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Wednesday, Aug 8, 2018
7 PM
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BAMPFA
SUBJECTS
The Passenger
(Professione reporter)
(Profession: Reporter)
featuring
Jack Nicholson, Maria Schneider, Jennie Runacre, Ian Hendry,
A penetrating political thriller, The Passenger, set in the Sahara, is also a desert film, and it resembles the much earlier L’avventura—a desert island film—with its horizontal vistas and its theme of absence. Jack Nicholson portrays a London journalist named Locke who, sent to cover a rebellion in North Africa, assumes the identity of a man, Robertson, who has died in the next hotel room. Locke is running away from being a journalist—from the codes that replace knowing, the images that replace seeing. He’s much like Monica Vitti’s Vittoria in L’eclisse in his desire for escape, for a mask. But, embracing Robertson’s globetrotting, increasingly mysterious persona, he finds himself pursuing not the man’s life, but his death. Even the camera seems to have a will toward another world: it distractedly tracks a passing camel in the desert, an anachronistic horse-drawn carriage in Munich. The film’s famous final seven-minute zoom literally draws out the pain of seeing in focus.
FILM DETAILS
Screenwriter
- Michelangelo Antonioni
- Mark Peploe
- Peter Wollen
Cinematographer
- Luciano Tovoli
Language
- English
Print Info
- Color
- 35mm
- 121 mins
Source
- Sony Pictures Classics
CINEFILES
CineFiles is an online database of BAMPFA's extensive collection of documentation covering world cinema, past and present.
View The Passenger documents
Michelangelo Antonioni: interiores burgueses con figura (program), Institut Valencià de l'Audiovisual i de Cinematografia Ricardo Muñoz Suay, Domènec Font, 2010
The passenger (program note), AFI Los Angeles International Film Festival, Don DeLillo, 2007
Existential despair in Antonioni's 'The Passenger' (review), Berkeley Daily Planet, Justin DeFreitas, 2007
The passenger (distributor materials), New Yorker Films, 2006
An understated Jack anchors Antonioni's leisurely thriller (review), Village Voice, J. Hoberman, 2005
Antonioni's stark 1975 classic still fascinates (review), Los Angeles Times, Carina Chocano, 2005
The passenger (Professione : Reporter) (program note), London Film Festival, 2005
Michelangelo Antonioni: modernist master (press release), San Francisco Film Society, 1999
'All the shapes we make': The Passenger's flight from formal stagnation (article), Qui Parle, Homay King, 1999
Modernist master: Michelangelo Antonioni (program note), Cinematheque Ontario/a division of Toronto International Film Festival Group, James Quandt, 1993
Displaying 10 of 22 publicly available documents.