Artist in Residence
Some would argue that cinema has replaced print as the modern world's way of communicating ideas, investigating place, and speaking out against ills. The films of Cameroonian director Jean–Marie Teno attest to the eloquence of the medium in this regard. Individually, his essay films might tackle polygamy (Alex's Wedding), shadow economies (Head in the Clouds), globalism in the Third World (A Trip to the Country), or how missionary zeal turned into colonial conquest (The Colonial Misunderstanding), but collectively they add up to a motion picture report from Africa, investigating its historical tragedies and analyzing its current woes. Teno links past and present through a distinctly creative junction of word and image; his camera may be trained on the disorders of modern Cameroon, but his personal narration relates the legacies behind such chaos.
In Africa, I Will Fleece You, Teno recalls Sultan Njoye, creator of Cameroon's first alphabet; for him the written word was necessary, to enable individuals "to speak without sound." Now, perhaps, with the written word rarely read (and, under Cameroon's military junta, rarely allowed to be written), the moving image is even more necessary. For Teno, the promise of film, and now video, is to enable African voices to be heard and visions to be seen. "New video technology may permit us to break the cycle of media dependency," Teno notes. "We can tell our own stories, our way, within our own means."
-Jason Sanders
We welcome Jean–Marie Teno as our artist in residence in the ongoing series Documentary Voices, programmed by PFA Film Curator Kathy Geritz. In addition to presenting a lecture on June 23, Teno will be present at screenings to engage with the audience, and will hold a workshop with students and others interested in his process.