Like other artists of the late 1960s, Joan Jonas found herself occupying an interstitial position between the reigning disciplines of Minimalism, with its airtight reduction, and Pop art, with its exuberant embrace of mass culture. For Jonas, a sculptor's adherence to space informed a fragile theatricality-laced with ritualized movement, telling objects, and an alchemical agency-through which her female alter-ego beheld its own shifting identity. Over time, Jonas wed the properties of video technology to her self-reflexive study of female identity. In her most accomplished works, the medium itself becomes a full partner in the mythical space of storytelling. As a companion to the installation The Shape, the Scent, the Feel of Things in the BAM Galleries, join us for two alluring evenings of Joan Jonas's video work, illuminating her groundbreaking ventures in a theater of the self.