In its fourteenth year, the New York–based African Film Festival is more important than ever. While Africa may get glancing treatment in Western news, images made and fashioned by Africans are still shut out of our television screens, movie theaters (since 2000, only two African films on average per year have been released in the United States), and even major film festivals. PFA is proud to present a selection of films from this year's festival, representing not only established industries in Cameroon and Senegal, but also emerging visions from Ethiopia, Guinea, and the Congo. These works may lack budgets or name-brand stars, but they're outraged and insightful enough to open the blind eye that has been turned to African ideas and ideals.
While most of the festival focuses on new, up-and-coming directors, we've also organized a mini-retrospective of arguably the most successful African filmmaker in recent years, the Malian director Abderrahmane Sissako (Bamako; Waiting for Happiness). And, in tribute to Ousmane Sembène, the pioneer of African cinema who passed away last year, we offer a free screening of two of his short films, including one of his first, Borom Sarret. Over forty years old, it's a reminder of how humble beginnings can harbor greatness.
An additional African film, Lumo, is presented in the Human Rights Watch International Film Festival on February 24.