The Chilean filmmaker Patricio Guzmán's committed cinema includes one of the most important political films ever made. His 1973 Battle of Chile charted the rise and fall of Salvador Allende's presidency as it was unfolding, in all its hope and heartbreak. Then, while in exile, Guzmán began to make essay films, which mused on the particularities of place and the fluctuations of memory. The Southern Cross (1992) traces a complex, largely unknown history of religion in Latin America, and unearths modern-day indigenous religious practices, the influence of African religions, and the rise of liberation theology. Subsequently, he returned to Chile's recent history with two films, a personal portrait of Allende and an interrogation of Augusto Pinochet's reign. Guzmán's worry that Chile's past is being forgotten is the focus of Chile, Obstinate Memory (1997), and all his films seek to ensure that this history is remembered impartially and in detail. Guzmán works slowly, making one film every three or four years, allowing layers of ideas and relationships to percolate, and themes to deepen. Such projects take time.
We are honored to present Guzmán's highly acclaimed new film, Nostalgia for the Light, on Thursday, April 28 as part of the San Francisco International Film Festival, with Guzmán in person. Joining Guzmán on stage will be the acclaimed scholar and critic Jorge Ruffinelli. Ruffinelli is a professor director of the department of Iberian and Latin American Cultures at Stanford University. He is author of more than thirteen books, including Patricio Guzmán and the first Encyclopedia of Latin American Cinema (in progress). - Kathy Geritz, Film Curator
Afterimage: Filmmakers and Critics in Conversation
In conjunction with the San Francisco International Film Festival
Thursday April 28
6:15 Nostalgia for the Light
Patricio Guzmán (France/Germany/Chile, 2010)
Screening followed by Patricio Guzmán in Conversation with Jorge Ruffinelli
(Nostalgia por la luz). Chile's vast Atacama Desert is one of the only places on Earth with absolutely no humidity, creating the perfect conditions for astronomical observation. In the early 1970s, just as the nation was embarking on a decades-long dictatorship of violent repression, a world-class observatory was built in the desert. Astronomers still work at Atacama, studying celestial bodies, but they are joined by others, who are looking for physical bodies: those of loved ones “disappeared” by the dictatorship years ago in a torture/detainment center built mere miles from the observatory. Whether a centuries-old star or bound wrists from an execution years ago, both groups discover, and excavate, the past. Poetic, visionary, revelatory, and heart-breaking, Nostalgia for the Light is both science film and historical documentary, yet at its best when underlining the essential human quest for the unknown.-Jason Sanders
• Written by Guzmán. Photographed by Katell Dijan. (96 mins, In English and Spanish with English subtitles, Color, Digital Video, From Icarus Films)
This event is ticketed as part of SFIFF @ BAM/PFA. Members may purchase tickets starting on March 25; tickets will be available to the public on March 30. For more information, see the SFIFF @ BAM/PFA series page.