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Thursday, Jun 29, 2017
7 PM (82 mins)
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BAMPFA
SUBJECTS
The Reckless Moment
Based on The Blank Wall by Elizabeth Sanxay Holding
James Mason, Joan Bennett, Geraldine Brooks, Henry O'Neill,
Elizabeth Sanxay Holding, whom Raymond Chandler called “the top suspense writer of them all,” wrote The Blank Wall (1947) about a wartime wife who starts out hiding cigarettes and ends up hiding a body. Ophuls captures the subtext, as Juliet Clark describes: “The Reckless Moment traces the traps of American domesticity with both irony and painful compassion. The plot is set in motion by the accidental killing of Joan Bennett’s daughter’s unsavory lover, but the film’s emotional intensity derives less from this crisis than from the relentlessness of the everyday . . . a condition only sympathetic blackmailer James Mason seems to notice.”
FILM DETAILS
Screenwriter
- Henry Garson
- Robert Soderburg
Based On
the novel The Blank Wall by Elizabeth Sanxay Holding
Cinematographer
- Burnett Guffey
Language
- English
Print Info
- B&W
- 35mm
- 82 mins
Source
- Sony Pictures Entertainment
CINEFILES
CineFiles is an online database of BAMPFA's extensive collection of documentation covering world cinema, past and present.
View The reckless moment documents
The reckless moment (review), Reader (Chicago, Ill.), Jonathan Rosenbaum, 2001
Max Ophuls: moving pictures (program note), Pacific Film Archive, Judy Bloch, 1999
Max Ophuls: moving pictures (press release), San Francisco Film Society, 1999
Max Ophuls: moving pictures (flyer), San Francisco Film Society, 1999
Tracking eternity: Max Ophuls' moving pictures (program note), Film Society of Lincoln Center, Kent Jones, 1999
The reckless moment (program note), Telluride Film Festival, 1998
Ophuls (monograph), British Film Institute, Paul Willemen, 1978
Houses, phones and cars : domestic spaces in Max Ophuls' The reckless moment (article), Movietone News, Norman Hale, 1978
Max Ophuls (program note), National Film Theatre (London, England), Paul Willemen, 1978
Max Ophuls: an index (monograph), British Film Institute, Richard Roud, 1958
Displaying 10 of 15 publicly available documents.