LEADER 00000cam a2200625 i 4500 001 880238034 003 OCoLC 005 20161221032740.0 008 140604s2014 ne a b 001 0 eng 010 2014019817 015 GBB478647|2bnb 016 7 016802603|2Uk 020 9789004279339|q(hardback ;|qalk. paper) 020 9004279334|q(hardback ;|qalk. paper) 020 9789004279346|q(e-book) 020 9004279342|q(e-book) 040 DLC|beng|erda|cDLC|dYDXCP|dBTCTA|dERASA|dUKMGB|dOHX|dCDX |dNDD|dZCU|dCHVBK|dSTF|dZLM|dOCLCQ|dCUY 042 pcc 043 a-cc-sm 050 00 PN1999.M56|bX84 2014 072 7 PN|2lcco 082 00 384/.806551132|223 100 1 Xuelei, Huang. 245 10 Shanghai filmmaking :|bcrossing borders, connecting to the globe, 1922-1938 /|cby Huang Xuelei. 264 1 Leiden ;|aBoston :|bBrill,|c[2014] 300 xiv, 381 pages :|billustrations ;|c25 cm. 336 text|btxt|2rdacontent 337 unmediated|bn|2rdamedia 338 volume|bnc|2rdacarrier 490 1 China studies ;|vvolume 29 504 Includes bibliographical references (pages 320-366) and index. 505 0 Introduction: Shanghai Filmmaking: Border-crossing Practices -- Part I Production -- 1. The Business -- 2. Players in the 1920s: Interconnecting, Mediating -- 3. Players in the 1930s: Contestation? Collaboration? -- Part II Product -- 4. The Medium: Inside Glocal Mediascapes -- 5. The Narrative (I): Melodrama as a Social Form -- 6. The Narrative (II): Melodramas Fit for All -- 7. The Meaning: Toward a Sentimental Education -- Epilogue: Toward a Glocal Viewing Public. 506 Pacific Film Archive collection; non-circulating.|5CBPF. 610 20 Mingxing Motion Picture Company|xHistory. 610 27 Mingxing-Filmgesellschaft.|0(DE-588)7703120-9|2gnd 650 0 Motion picture studios|zChina|zShanghai|xHistory. 650 7 Film.|0(DE-588)4017102-4|2gnd 650 7 Filmwirtschaft.|0(DE-588)4154384-1|2gnd 651 7 China.|0(DE-588)4009937-4|2gnd 651 7 Schanghai.|0(DE-588)4052066-3|2gnd 830 0 China studies (Leiden, Netherlands) ;|vv. 29. 956 20161221 |bpfmcq|cCCC 956 20170410|bpfmcq|cMR 957 OCLC xref loaded 20170423 994 C0|bCUY