Andrei Tarkovsky (1932–1986) directed an impressive body of work that continues to be celebrated today for its visual power and poetic resonance. There is no better way to experience Tarkovsky’s cinema than theatrically, since scale and sound design are so essential to his films.
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Lyrical and brutal by turns, Andrei Tarkovsky’s first feature tells of a child’s experiences during World War II. “Tarkovsky would go on to make grander, weightier, more iconic films, but it’s tough to argue he ever made a better one” (Time Out).
A student film in name only, The Steamroller and the Violin holds the seeds of Andrei Tarkovsky’s future career. Paired with Voyage in Time, a visual diary of Tarkovsky and screenwriter Tonino Guerra’s travels across Lecce, Tuscany, and the Amalfi Coast while location scouting for Nostalghia.
Digital Restoration
Andrei Tarkovsky’s epic, otherworldly portrait of a fifteenth-century Russian icon painter is “a superproduction gone ideologically berserk” (Village Voice). “The best arthouse film of all time” (The Guardian).
Digital Restoration
In Andrei Tarkovsky’s influential 1972 masterwork, based on a famous novel by Stanisław Lem, “the alien world is one immense ocean, the ocean is a brain, and the brain may be our own” (Village Voice).
Andrei Tarkovsky’s most autobiographical work, a collection of memories of a young boy coming of age, invented “a new language, true to the nature of film . . . life as a dream” (Ingmar Bergman).
Digital Restoration
A writer, a scientist, and their “stalker” guide venture into a mysterious wasteland known as the Zone. “A dense, complex, often contradictory, and endlessly pliable allegory about human consciousness” (Slant).
4K Digital Restoration
Andrei Tarkovsky’s breathtaking journey through the ruined but magical spaces of Tuscany follows a Russian man who feels the longing for home, closure, and the absolute that the film’s title describes. “Not so much a movie as a place to inhabit for two hours” (J. Hoberman).
4K Digital Restoration
A retired actor and his family find themselves on a remote Baltic island when word arrives of nuclear war in Andrei Tarkovsky’s elegiac final film. “An epic vision. . . . Spiritual mastery. . . . A work of genius” (David Robinson, The Times).
An account of the life and work of Russian filmmaker Andrei Tarkovsky in his own words—his memories, his vision of art, and his reflections on the meaning of human existence—made by his son, Andrei A. Tarkovsky, in 2019.
BAMPFA Collection
Lyrical and brutal by turns, Andrei Tarkovsky’s first feature tells of a child’s experiences during World War II. “Tarkovsky would go on to make grander, weightier, more iconic films, but it’s tough to argue he ever made a better one” (Time Out).
Digital Restoration
Andrei Tarkovsky’s epic, otherworldly portrait of a fifteenth-century Russian icon painter is “a superproduction gone ideologically berserk” (Village Voice). “The best arthouse film of all time” (The Guardian).
Digital Restoration
In Andrei Tarkovsky’s influential 1972 masterwork, based on a famous novel by Stanisław Lem, “the alien world is one immense ocean, the ocean is a brain, and the brain may be our own” (Village Voice).
Andrei Tarkovsky’s most autobiographical work, a collection of memories of a young boy coming of age, invented “a new language, true to the nature of film . . . life as a dream” (Ingmar Bergman).
Digital Restoration
A writer, a scientist, and their “stalker” guide venture into a mysterious wasteland known as the Zone. “A dense, complex, often contradictory, and endlessly pliable allegory about human consciousness” (Slant).
4K Digital Restoration
Andrei Tarkovsky’s breathtaking journey through the ruined but magical spaces of Tuscany follows a Russian man who feels the longing for home, closure, and the absolute that the film’s title describes. “Not so much a movie as a place to inhabit for two hours” (J. Hoberman).
4K Digital Restoration
A retired actor and his family find themselves on a remote Baltic island when word arrives of nuclear war in Andrei Tarkovsky’s elegiac final film. “An epic vision. . . . Spiritual mastery. . . . A work of genius” (David Robinson, The Times).