Making Their Mark brings together more than seventy artworks by women artists from the Shah Garg Collection, illuminating transgenerational affinities, influences, and methodologies among pathbreaking artists from the postwar era to the present.
ViewTo Exalt the Ephemeral: The (Im)permanent Collection draws from BAMPFA’s art and film collections to explore how museums collect, care for, and amplify the work of artists who celebrate ideas of impermanence and cycles of decay and regeneration.
ViewCampus Collaborations
August 28–December 22, 2024This exhibition presents a group of works drawn from BAMPFA’s collection, organized in conjunction with an undergraduate Art Practice course. Taught by Professor Greg Niemeyer, this course surveys the many waters that flow deep within our bodies and all across the globe.
ViewCampus Collaborations
October 9, 2024–February 23, 2025Part of BAMPFA’s Campus Collaborations series, Abounaddara: The Ruins We Carry is the collective’s first solo US museum exhibition. Known for its intimate portrayals of Syrian life amid upheaval, Abounaddara debuts a new three-channel film installation, The Imagemaker, exploring the world-making powers of one of the last craftsmen of stamped cloth in Damascus.
ViewTanya Aguiñiga creates sculptures and installations using natural materials and objects gathered from her environment. Her Art Wall installation at BAMPFA is her first solo presentation in the Bay Area. Aguiñiga presents a series of rust prints depicting a thirty-foot ladder made using an actual object that she found near the US–Mexico border.
ViewAmol K Patil works across painting, sculpture, performance, and video and excavates the lived experiences of Mumbai’s working class. For his first solo exhibition in the United States, the artist presents a newly commissioned body of work that reconfigures the architecture of the city’s chawls into a space of collective memory and dynamic protest.
ViewRouted West: Twentieth-Century African American Quilts in California traces the flow and flourishing of quilts in the context of the Second Great Migration. These quilts explore the medium’s unique capacity for connecting kin across time and space, holding memory and ancestral knowledge, and opening up space for beauty and ingenuity.
View