Title | Amateur filmmaking : the home movie, the archive, the Web |
Item type | Book |
Author(s) |
|
ISBN |
|
Language | English |
URL | Link to original record |
Notes |
|
Physical description | xiv, 375 pages : illustrations ; 24 cm |
Related links | Table of contents |
Languages:
Date text:
Publisher:
Subject headings:
Item Type:
Oskicat subjects:
Millenium MARC Record:
LEADER 00000cam 2200709 i 4500
001 866252402
003 OCoLC
005 20150720112446.0
008 131217s2014 nyua b 001 0 eng
010 2013044908
015 GBB408545|2bnb
016 7 016608962|2Uk
019 847941475|a879146840|a889888820
020 9781441139054|q(hardback)
020 1441139052|q(hardback)
020 9781441191496|q(paperback)
020 1441191496|q(paperback)
020 |z9781441106810|q(ePub)
020 |z9781441101938|q(ePDF)
040 DLC|beng|erda|cDLC|dYDX|dBDX|dUKMGB|dYDXCP|dNTD|dCOO|dCDX
|dYBM|dDEBBG|dSTF|dOCLCF|dAU@|dOCLCQ
042 pcc
049 CUYL
050 00 PN1995.8|b.A43 2014
082 00 777|223
084 PER004030|2bisacsh
245 00 Amateur filmmaking :|bthe home movie, the archive, the Web
/|cedited by Laura Rascaroli and Gwenda Young, with Barry
Monahan.
264 1 New York :|bBloomsbury Academic,|c2014.
300 xiv, 375 pages :|billustrations ;|c24 cm
336 text|btxt|2rdacontent
337 unmediated|bn|2rdamedia
338 volume|bnc|2rdacarrier
504 Includes bibliographical references (pages 327-357) and
index.
505 0 Introduction -- Amateur Filmmaking: New Developments and
Directions / Laura Rascaroli, Gwenda Young, Barry Monahan
-- I. Reframing the home movie -- The Home Movie and Space
of Communication / Roger Odin -- Home Movies and Amateur
Film as National Cinema / Liz Czach -- The Photographic
Hangover: Reconsidering the Aesthetics of the Postwar 8mm
Home Movie / Maija Howe -- Amateur Film, Automobility and
the Cinematic Aesthetics of Leisure / Mark Neumann -- II.
Private reels, historiographical concerns -- Cinemas of
Catastrophe and Continuity: Mapping Out Twentieth-Century
Amateur Practices of Intentional History-Making in
Northern England / Heather Norris Nicholson -- Glimpses of
a Hidden History: Exploring Irish Amateur Collections,
1930-1970 / Gwenda Young -- Uncensored British Imperial
Politics in Late Colonial Home Movies: Memsahibs, Indian
Bearers and Chinese Communist Insurgents / Annamaria
Motrescu-Mayes -- The Amateur Film: From Artifact to
Anecdote / Karen Lury -- Starring Sally Peshlakai:
Rewriting the Script for Tad Nichols's 1939 Navajo Rug
Weaving / Janna Jones -- III. Nonfictional
recontextualizations -- Change of Scale: Home Movies as
Microhistory in Documentary Films / Efrén Cuevas --
Creating Historiography: Alan Gilsenan's Formal Reframing
of Amateur Archival Footage in Home Movie Nights / Barry
Monahan -- "That Would Be Wrong": Errol Morris and His Use
of Home Movies (As Metalanguages) in Feature Documentaries
/ Stefano Odorico -- IV. Amateur auteur -- "I am a Time
Archaeologist": Some Reflections on the Filmmaking
Practice of Péter Forgács / Richard Kilborn --
Representing the Past and the Meaning of Home in Péter
Forgács's Private Hungary / Ruth Balint -- Necessity Is
the Mother of Invention, or Morder's Amateur Toolkit /
Dominique Bluher -- Joseph Morder, the "Filmateur": An
Interview with Joseph Morder / Dominique Bluher -- Working
at Home: Tarnation, Amateur Authorship, and Self-
inscription in the Digital Age / Laura Rascaroli -- V. New
directions: the digital age -- Saving Private Reels:
Archival Practices and Digital Memories (Formerly Known as
Home Movies) in the Digital Age / Susan Aasman -- The Home
Movie Archive Live / Patricia R. Zimmerman -- An Inward
Gaze at Home: Amateur First Person DV Documentary
Filmmaking in Twenty-First Century China / Tianqi Yu --
Shooting for Profit: The Monetary Logic of the YouTube
Home Movie / Lauren S. Berliner -- Home Movies in the Age
of Web 2.0: The Case of "Star Wars Kid" / Abigail Keating
-- Towards Mobile Filmmaking 2.0: Amateur Filmmaking as an
Alternative Cultural Practice / Max Schleser.
520 "With the advent of digital filmmaking and critical
recognition of the relevance of self expression, first-
person narratives, and personal practices of
memorialization, interest in the amateur moving image has
never been stronger. Bringing together key scholars in the
field, and revealing the rich variety of amateur
filmmaking--from home movies of Imperial India and film
diaries of life in contemporary China, to the work of
leading auteurs such as Joseph Morder and Peter Forgacs--
Amateur Filmmaking highlights the importance of amateur
cinema as a core object of critical interest across an
array of disciplines. With contributions on the role of
the archive, on YouTube, and on the impact of new
technologies on amateur filmmaking, these essays offer the
first comprehensive examination of this growing field"--
|cProvided by publisher.
650 0 Amateur films|xHistory and criticism.
650 0 Documentary films|xHistory and criticism.
650 0 Digital cinematography.
650 7 PERFORMING ARTS|xFilm & Video|xHistory & Criticism.
|2bisacsh
650 7 Amateur films.|2fast|0(OCoLC)fst00806665
650 7 Digital cinematography.|2fast|0(OCoLC)fst00893633
650 7 Documentary films.|2fast|0(OCoLC)fst00896079
650 07 Amateurfilm.|0(DE-588)4132119-4|2gnd
655 7 Criticism, interpretation, etc.|2fast|0(OCoLC)fst01411635
700 1 Rascaroli, Laura,|eeditor.
700 1 Monahan, Barry,|eeditor.
700 1 Young, Gwenda,|eeditor.
856 42 |3Table of contents|uhttp://bvbr.bib-bvb.de:8991/
F?func=service&doc_library=BVB01&local_base=BVB01&
doc_number=027178005&line_number=0001&func_code=DB_RECORDS
&service_type=MEDIA
935 .o17253500
956 20150720|bPRVY
956 20160714|bpfmcq|cMC
957 OCLC xref loaded 20171015
994 92|bCUY