Anton Chekhov wrote his major plays between 1894 and his death in 1904-precisely during the cinema's first decade. He never wrote for the screen, though it is tempting to imagine what his films would have been like. With his skill at charting subtle changes in relationships and emotions, the new conception of acting his works required, and the importance he placed on memories determining actions, the resources of the new medium might have been a perfect fit for Chekhov's artistry. Over the years, several remarkable Russian filmmakers have certainly thought so.
Celebrating the 150th anniversary of the writer's birth, this series offers a selection of accomplished Soviet and Russian films based on or adapted from Chekhov's writings, including Ward No. 6, Karen Shakhnazarov's provocative update of a Chekhov story that is Russia's current nominee for the best foreign language film Oscar. Other highlights include Andrei Konchalovsky's magnificent version of Uncle Vanya, as well as his brother Nikita Mikhalkov's brilliant An Unfinished Piece for Player Piano, based partly on Chekhov's lesser-known play Platonov. Finally, the ever-remarkable Kira Muratova offers Chekhov's Motives, a free adaptation of Tatiana Repina that is one of Muratova's most innovative works.