Documentary Voices is presented in conjunction with the UC Berkeley course History of Documentary Film, taught by Jeffrey Skoller during the spring semester. The series begins with a screening of PFA's recent preservation of the legendary cinema verité-style fiction film David Holzman's Diary. We also present three programs of animated documentaries: The Green Wave, which uses animation and a range of new technologies to document the 2009 Iranian "Green Revolution"; Kongo, which combines animation and historical footage to trace the history of Congo; and a program of documentary animation shorts. These latter works commemorate the publication of Animation: An Interdisciplinary Journal, guest edited by Jeffrey Skoller, who will introduce two of the programs. The special issue Making it (Un)real: Contemporary Theories and Practices in Documentary Animation features essays and reflections by a range of contemporary scholars and filmmakers on, in Skoller's words, “this hybrid form that mixes fact and fiction, analysis and speculation, and the high seriousness of documentary nonfiction with the playfulness of animation.” It features articles by Karen Beckman, Steve Fore, Annabelle Honness-Roe, Laura U. Marks, and Tess Takahashi and artworks by filmmakers including Lewis Klahr, Abraham Ravett, and Jacqueline Goss.
Documentary Voices continues in March and April with recent films that document the aftermath of war and the costs of global development, as well as a village that time seems to have forgotten. From essay films to documentary-fiction hybrids, the series highlights the range of documentary styles and approaches being employed today.