Complementing our Abbas Kiarostami retrospective, special guest lecturers offer varied perspectives on the great Iranian director’s work.
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Kiarostami’s final work strips cinema down to its essence—a single frame—creating a hypnotic meditation on image making and the act of seeing that pays tribute to both cinema and the great director’s other passion, photography.
Lecture by Ahmad Kiarostami
Digital Restoration
The Cannes prizewinning mystery of a man who searches for someone to help him commit suicide. Naturally, everyone he meets has an opinion on the subject. “A masterpiece” (The Nation).
Lecture by Godfrey Cheshire
Digital Restoration
This beautiful picture of the life of a child in a northern Iranian village is the first film in Kiarostami’s beloved Koker trilogy.
Lecture by Marilyn Fabe
An unemployed film fanatic who impersonated director Mohsen Makhmalbaf is the subject of Kiarostami’s mind-bending docu-fictional masterpiece, which reenacts the entire affair with the impersonator and Makhmalbaf himself.
Lecture by Marilyn Fabe
Digital Restoration
A young boy in a rural village schemes and dreams his way to a big-city soccer match in Kiarostami’s first feature, similar to The 400 Blows. With short Bread and Alley.
Lecture by Ahmad Kiarostami