Iran’s most influential director, Kiarostami made films that blended fiction and documentary, minimalism and spontaneity, poetic vision and humanist spirit. We present a near-complete retrospective of his work.
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A young boy in a rural village schemes and dreams his way to a big-city soccer match in Kiarostami’s first feature, similar to The 400 Blows. With short Bread and Alley.
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A television crew arrives at a remote Kurdish village to await a mourning ritual. While they wait for death, life happens. “A stunningly lyrical and eloquent exploration of both rural village life and the nature of artistic responsibility” (New York Times).
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BAMPFA Student Committee Pick
This beautiful picture of the life of a child in a northern Iranian village is the first film in Kiarostami’s beloved Koker trilogy.
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Kiarostami seeks to find out the fate of the earthquake-devastated area of Koker and Poshteh from Where Is the Friend’s Home? and finds willing actors among the survivors.
An unemployed film fanatic who impersonated director Mohsen Makhmalbaf is the subject of Kiarostami’s mind-bending docu-fictional masterpiece, which reenacts the entire affair with the impersonator and Makhmalbaf himself.
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Through the Olive Trees is also presented on Tuesday, September 17 with an introduction and post-screening lecture by author Godfrey Cheshire.
In Kiarostami’s fittingly self-reflective end to the Koker trilogy, a lovelorn youth gets another chance at romance when a visiting film crew casts him and his disinterested paramour as husband and wife.
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A young boy in a rural village schemes and dreams his way to a big-city soccer match in Kiarostami’s first feature, similar to The 400 Blows. With short Bread and Alley.
Digital Restoration
BAMPFA Student Committee Pick
This beautiful picture of the life of a child in a northern Iranian village is the first film in Kiarostami’s beloved Koker trilogy.
Digital Restoration
Kiarostami constructs an O. Henry–like fable set in the world of working youths in the shops and streets of Tehran. With Experience, a beautiful, nearly wordless tale about an adolescent boy juggling a job, a first crush, and the urge to sample adulthood’s temptations.
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Through the Olive Trees also screens without lecture on Saturday, August 24 and Friday, September 27.
In Kiarostami’s fittingly self-reflective end to the Koker trilogy, a lovelorn youth gets another chance at romance when a visiting film crew casts him and his disinterested paramour as husband and wife.
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Kiarostami seeks to find out the fate of the earthquake-devastated area of Koker and Poshteh from Where Is the Friend’s Home? and finds willing actors among the survivors.
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A seemingly simple classroom struggle between teacher and students becomes an absorbing lesson in solidarity, ideology, and resistance in Kiarostami’s gripping documentary, filmed during the last days of the Shah and finished during the earliest days of the Islamic Revolution.
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Through the Olive Trees is also presented on Tuesday, September 17 with an introduction and post-screening lecture by author Godfrey Cheshire.
In Kiarostami’s fittingly self-reflective end to the Koker trilogy, a lovelorn youth gets another chance at romance when a visiting film crew casts him and his disinterested paramour as husband and wife.
Digital Restoration
Rescheduled
This film has been rescheduled to screen Saturday, November 23.
In a series of interviews with grade-school boys on the topic of homework, much is revealed on the topic of life. With shorts Breaktime and Orderly or Disorderly.
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Play meets punishment in Kiarostami’s documentary on first-graders reporting for their first day of school. With shorts Two Solutions for One Problem and Solution.
Screenings presented in Theater 2
Made by a close friend and collaborator, this intimate and subtly revealing portrait follows Kiarostami in Iran and abroad, at work as a photographer, filmmaker, installation artist, and poet.
An unemployed film fanatic who impersonated director Mohsen Makhmalbaf is the subject of Kiarostami’s mind-bending docu-fictional masterpiece, which reenacts the entire affair with the impersonator and Makhmalbaf himself.
Screenings presented in Theater 2
Made by a close friend and collaborator, this intimate and subtly revealing portrait follows Kiarostami in Iran and abroad, at work as a photographer, filmmaker, installation artist, and poet.
Canceled
This screening has been canceled due to the UC Berkeley campus power shutdown. Please watch this page for updates on rescheduling and ticket refund information.
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Recommended for ages 10 & up
Anyone curious about what episodes of Sesame Street would look like if they were directed by one of the world’s greatest filmmakers should catch this collection of shorts by Kiarostami, made for an Iranian children’s cultural institute.
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The Cannes prizewinning mystery of a man who searches for someone to help him commit suicide. Naturally, everyone he meets has an opinion on the subject. “A masterpiece” (The Nation).
Screenings presented in Theater 2
Made by a close friend and collaborator, this intimate and subtly revealing portrait follows Kiarostami in Iran and abroad, at work as a photographer, filmmaker, installation artist, and poet.
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A television crew arrives at a remote Kurdish village to await a mourning ritual. While they wait for death, life happens. “A stunningly lyrical and eloquent exploration of both rural village life and the nature of artistic responsibility” (New York Times).
Film to Table dinner follows
In the front seat of her car, a young urban divorcee grapples with her anxieties in this “courageous, instinctive film . . . sometimes funny, sometimes moving, always engrossing” (Variety).
Screenings presented in Theater 2
Made by a close friend and collaborator, this intimate and subtly revealing portrait follows Kiarostami in Iran and abroad, at work as a photographer, filmmaker, installation artist, and poet.
From the master himself, thoughts on filmmaking as a journey, delivered from—where else?—the front seat of his car. “An incisive, sometimes funny, and often provocative contemplation of the art of cinema” (Museum of Modern Art, New York).
For his first film shot outside Iran, Kiarostami went to Uganda to document the reality of children orphaned by AIDS. What he found was a network of widows creating a culture of support, in a place devastated by death but still full of life.
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In a series of interviews with grade-school boys on the topic of homework, much is revealed on the topic of life. With shorts Breaktime and Orderly or Disorderly.
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Kiarostami turns footage of a traffic cop beleaguered by demanding drivers into a study of verbal invention, miniature rebellion, and the fine line between order and disorder. With short Tribute to Teachers.
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Dedicated to Yasujiro Ozu, Kiarostami’s set of five serene seafront studies is “remarkably captivating, like a perfectly crafted object of contemplation” (Village Voice). With short Roads of Kiarostami.
Created for a museum exhibition that paired the works of Kiarostami and Víctor Erice, Correspondences is composed of ten “filmed letters” between the two master filmmakers.
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A film about watching and most of all experiencing film, Shirin features close-ups of 112 Iranian actresses (and Juliette Binoche) as they view—or imagine—a movie. “An illusionist tour de force” (Jonathan Rosenbaum).
Juliette Binoche and William Shimell star in Kiarostami’s playful unspooling of the romance genre, set in a radiant Tuscany where nothing is quite as it seems. Binoche won Best Actress at Cannes for her role in this “brilliant, endlessly fascinating work” (New Yorker).
A young escort, her older client, and her jealous lover enact their various roles depending on who’s in front of them in Kiarostami’s last narrative feature, made in Japan. “An enthralling journey” (New York Magazine).
Kiarostami’s final work strips cinema down to its essence—a single frame—creating a hypnotic meditation on image making and the act of seeing that pays tribute to both cinema and the great director’s other passion, photography.